Pramāṇa · Search · About · API

Vishnupurana 3.4

Viṣṇupurāṇa (vulgate) 3.4

Language
Sanskrit

Contents

3.4.1

śrīparāśara uvāca
ādyo vedaścatuṣpādaḥ kṛtaḥ sāhasrasaṃmitaḥ /
tato daśagumaḥ kṛtsno yajñoyaṃ sarvakāmadhuk //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.2

tatotra matsuto vyāso aṣṭaviṃśatimentare /
vedamekaṃ catuṣpādaṃ caturdhā vyabhajatprabhuḥ //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.3

yathā ca tena vai vyastā vedabyāsena dhīmatā /
vedās tathā samastais tair vyastā vyastais tathā mayā //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.4

tadanenaiva vedānāṃ śākhābhedāndvijottama /
caturyugeṣu paṭhitānsamasteṣvavadhāraya //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.5

kṛṣṇadvaipāyanaṃ vyāsaṃ viddhi nārāyaṇaṃ prabhum /
ko hyanyo bhuvi maitreya mahābhāratakṛdbhavet //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.6

tena vyastā yathā vedā matputreṇa mahātmanā /
dvāpare hy atra maitreya tasmiñ śṛṇu yathātatham //

PARÁŚARA.--The original Veda, in four parts, consisted of one hundred thousand stanzas; and from it sacrifice of ten kinds, the accomplisher of all desires, proceeded. In the twenty-eighth Dwápara age my son Vyása separated the four portions of the Veda into four Vedas. In the same manner as the Vedas were arranged by him, as Vedavyása, so were they divided in former periods by all the preceding Vyásas, and by myself: and the branches into which they were subdivided by him were the same into which they had been distributed in every aggregate of the four ages. Know, Maitreya, the Vyása called Krishńa Dwaipáyana to be the deity Náráyańa; for who else on this earth could have composed the Mahábhárata? Into what portions the Vedas were arranged by my magnanimous son, in the Dwápara age, you shall hear.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.7

brahmaṇā codito vyāso vedānvyastuṃ pracakrame /
atha śiṣyānprajagrāha caturo vedapāragān //

When Vyása was enjoined by Brahmá to arrange the Vedas in different books, he took four persons, well read in those works, as his disciples. He appointed Paila reader of the Rich; Vaiśampáyana of the Yajush; and Jaimini of the Soma-veda: and Sumantu, who was conversant with the Atharva-veda, was also the disciple of the learned Vyása. He also took Súta, who was named Lomaharshańa, as his pupil in historical and legendary traditions.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.8

ṛgvedapāṭhakaṃ pailaṃ jagrāha sa mahāmuniḥ /
vaiśaṃpāyananāmānaṃ yajurvedasya cāgrahīt //

3.4.9

jaiminiṃ sāmavedasya tathaivātharvavedavit /
sumantustasya śiṣyobhūdvedavyāsasya dhīmataḥ //

3.4.10

romaharṣaṇanāmānaṃ mahābuddhiṃ mahāmuniḥ /
sūtaṃ jagrāha śiṣyaṃ sa itihāsapurāṇayoḥ //

3.4.11

eka āsīdyajurvedastaṃ caturdhā vyakalpayat /
cāturhetramabhūttasmiṃstena yajñamathākarot //

There was but one Yajur-veda; but dividing this into four parts, Vyása instituted the sacrificial rite that is administered by four kinds of priests: in which it was the duty of the Adhwaryu to recite the prayers (Yajush) (or direct the ceremony); of the Hotri, to repeat the hymns (Richas); of the Udgátri, to chaunt other hymns (Sáma); and of the Brahman, to pronounce the formulæ called Atharva. Then the Muni, having collected together the hymns called Richas, compiled the Rigveda; with the prayers and directions termed Yajushas he formed the Yajur-veda; with those called Sáma, Sáma-veda; and with the Atharvas he composed the rules of all the ceremonies suited to kings, and the function of the Brahman agreeably to practice.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.12

ādhvaryavaṃ yajurbhis tu ṛgbhir hotraṃ tathā muniḥ /
audgātraṃ sāmābhiścakre brahmatvaṃ cāpyatharvabhiḥ //

There was but one Yajur-veda; but dividing this into four parts, Vyása instituted the sacrificial rite that is administered by four kinds of priests: in which it was the duty of the Adhwaryu to recite the prayers (Yajush) (or direct the ceremony); of the Hotri, to repeat the hymns (Richas); of the Udgátri, to chaunt other hymns (Sáma); and of the Brahman, to pronounce the formulæ called Atharva. Then the Muni, having collected together the hymns called Richas, compiled the Rigveda; with the prayers and directions termed Yajushas he formed the Yajur-veda; with those called Sáma, Sáma-veda; and with the Atharvas he composed the rules of all the ceremonies suited to kings, and the function of the Brahman agreeably to practice.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.13

tataḥsa ṛca uddhṛtya ṛgvedaṃ kṛtavānmuniḥ /
yajṛṃṣi ca yajurvedaṃ sāmavedaṃ ca sāmābhaḥ //

There was but one Yajur-veda; but dividing this into four parts, Vyása instituted the sacrificial rite that is administered by four kinds of priests: in which it was the duty of the Adhwaryu to recite the prayers (Yajush) (or direct the ceremony); of the Hotri, to repeat the hymns (Richas); of the Udgátri, to chaunt other hymns (Sáma); and of the Brahman, to pronounce the formulæ called Atharva. Then the Muni, having collected together the hymns called Richas, compiled the Rigveda; with the prayers and directions termed Yajushas he formed the Yajur-veda; with those called Sáma, Sáma-veda; and with the Atharvas he composed the rules of all the ceremonies suited to kings, and the function of the Brahman agreeably to practice.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.14

rājñāṃ cātharvavedena sarvakarmāṇi ca prabhuḥ /
kārayāmāsa maitreya brahmatvaṃ ca yathāsthiti //

There was but one Yajur-veda; but dividing this into four parts, Vyása instituted the sacrificial rite that is administered by four kinds of priests: in which it was the duty of the Adhwaryu to recite the prayers (Yajush) (or direct the ceremony); of the Hotri, to repeat the hymns (Richas); of the Udgátri, to chaunt other hymns (Sáma); and of the Brahman, to pronounce the formulæ called Atharva. Then the Muni, having collected together the hymns called Richas, compiled the Rigveda; with the prayers and directions termed Yajushas he formed the Yajur-veda; with those called Sáma, Sáma-veda; and with the Atharvas he composed the rules of all the ceremonies suited to kings, and the function of the Brahman agreeably to practice.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.15

soyameko yathā vedastarustena pṛthakkṛtaḥ /
caturdhātha tato jātaṃ vedapādapakānanam //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.16

bibheda prathamaṃ vipra pailo ṛgvedapādapam /
indrapramitaye prādādbāṣkalāya ca saṃhite //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.17

caturdhā sa vibhedātha bāṣkalopi ca saṃhitām /
bodhādibhyo dadau tāś ca śiṣyebhyaḥ samahāmuniḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.18

bodhyāgnimāḍhakau tadūdyājñavalkyaparāśarau /
pratiśākhāstu śākhāyāstasyāste jagṛhurmune //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.19

indrapramitirekāṃ tu saṃhitāṃ svasūtaṃ tataḥ /
māṇḍukeyaṃ mahātmānaṃ maitreyādhyāpayattadā //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.20

tasya śiṣyapraśiṣyebhyaḥ putraśiṣyakramādyayau //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.21

vedamitrastu śākalyaḥ saṃhitāṃ tāmadhītavān /
cakāra saṃhitāḥ pañca śiṣyebhyaḥ pradadau ca tāḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.22

tasya śiṣyāstu ye pañca teṣāṃ nāmāni me śṛṇu /
mudgalo gomakhaścaiva vātsyaḥ śālīya eva ca /
śarīraḥ pañcamaścāsīnmaitreya sumahāmatiḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.23

saṃhitātritayaṃ cakre śākapūrṇastathetaraḥ /
niruktamakarottadūccaturthaṃ munisattama //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.24

kraiñco vaitālikastadvadbalākaś ca mahāmuniḥ /
niruktaś ca caturthobhūdvedavedāṅgapāragaḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.25

ityetāḥ pratiśākhābhyo hyanuśākhā dvijottama /
bāṣkalaścāparāstistraḥsaṃhitāḥ kṛtavāndvija /
śiṣyaḥ kālāyanirgārgyastṛtīyaś ca kathājapaḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.26

ityetā bahvṛcāḥ proktāḥ saṃhitā yaiḥ pravartitāḥ //

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

3.4.26.p1

iti śrīviṣṇumahāpurāṇe tṛtīyāṃśecaturtho 'dhyāyaḥ (4)

This vast original tree of the Vedas, having been divided by him into four principal stems, soon branched out into an extensive forest. In the first place, Paila divided the Rig-veda, and gave the two Sanhitás (or collections of hymns) to Indrapramati and to Báshkali. Báshkali subdivided his Sanhitá into four, which he gave to his disciples Baudhya, Agnimát́hara, Yajnawalka, and Paráśara; and they taught these secondary shoots from the primitive branch. Indrapramati imparted his Sanhitá to his son Mańd́ukeya, and it thence descended through successive generations, as well as disciples. Vedamitra, called also Śákalya, studied the same Sanhitá, but he divided it into five Sanhitás, which he distributed amongst as many disciples, named severally Mudgala, Goswalu, Vátsya, Śálíya, and Śiśira. Sákapúrńi made a different division of the original Sanhitá into three portions, and added a glossary (Nirukta), constituting a fourth. The three Sanhitás were given to his three pupils, Krauncha, Vaitálaki, and Valáka; and a fourth, (thence named) Niruktakrit, had the glossary. In this way branch sprang from branch. Another Báshkali composed three other Sanhitás, which he taught to his disciples Káláyani, Gárgya, and Kathájava. These are they by whom the principal divisions of the Rich have been promulgated.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

Translations (2)

Other recensions (1)

Linked texts (1)