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Vishnupurana 2.5.13-22

Viṣṇupurāṇa 2.5.13-22

Language
Sanskrit

2.5.13

pātālānām adhaś cāste viṣṇor yā tāmasī tanuḥ
śeṣākhyā yadguṇān vaktuṃ na śaktā daityadānavāḥ //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.14

yo 'nantaḥ paṭhyate siddhair devadevarṣipūjitaḥ
sahasraśirasā vyaktasvastikāmalabhūṣaṇaḥ //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.15

phaṇāmaṇisahasreṇa yaḥ sa vidyotayan diśaḥ
sarvān karoti nirvīryān hitāya jagato 'surān //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.16

madāghūrṇitanetro 'sau yaḥ sadaivaikakuṇḍalaḥ
kirīṭī sragdharo bhāti sāgniḥ śveta ivācalaḥ //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.17

nīlavāsā madotsiktaḥ śvetahāropaśobhitaḥ
sābhragaṅgāprapāto 'sau kailāsādrir ivonnataḥ //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.18

lāṅgalāsaktahastāgro bibhran musalam uttamam
upāsyate svayaṃ kāntyā yo vāruṇyā ca mūrtayā //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.19

kalpānte yasya vaktrebhyo viṣānalaśikhojjvalaḥ
saṃkarṣaṇātmako rudro niṣkramyātti jagattrayam //

Below the seven Pátálas is the form of Vishńu, proceeding from the quality of darkness, which is called Śesha, the excellencies of which neither Daityas nor Dánavas can fully enumerate. This being is called Ananta by the spirits of heaven, and is worshipped by sages and by gods. He has a thousand heads, which are embellished with the pure and visible mystic sign: and the thousand jewels in his crests give light to all the regions. For the benefit of the world he: deprives the Asuras of their strength. He rolls his eyes fiercely, as if intoxicated. He wears a single ear-ring, a diadem, and wreath upon each brow; and shines like the white mountains topped with flame. He is clothed in purple raiment, and ornamented with a white necklace, and looks like another Kailása, with the heavenly Gangá flowing down its precipices. In one hand he holds a plough, and in the other a pestle; and he is attended by Váruńí (the goddess of wine), who is his own embodied radiance. From his mouths, at the end of the Kalpa, proceeds the venomed fire that, impersonated as Rudra, who is one with Balaráma, devours the three worlds.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.20

sa bibhrac chekharībhūtam aśeṣaṃ kṣitimaṇḍalam
āste pātālamūlasthaḥ śeṣo 'śeṣasurārcitaḥ //

Śesha bears the entire world, like a diadem, upon his head, and he is the foundation on which the seven Pátálas rest. His power, his glory, his form, his nature, cannot be described, cannot he comprehended by the gods themselves. Who shall recount his might, who wears this whole earth, like a garland of flowers, tinged of a purple dye by the radiance of the jewels of his crests. When Ananta, his eyes rolling with intoxication, yawns, then earth, with all her woods, and mountains, and seas, and rivers, trembles. Gandharbas, Apsarasas, Siddhas, Kinnaras, Uragas, and Chárańas are unequal to hymn his praises, and therefore he is called the infinite (Ananta), the imperishable. The sandal paste, that is ground by the wives of the snake-gods, is scattered abroad by his breath, and sheds perfume around the skies.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.21

tasya vīryaṃ prabhāvaś ca svarūpaṃ rūpam eva ca
na hi varṇayituṃ śakyaṃ jñātuṃ vā tridaśair api //

Śesha bears the entire world, like a diadem, upon his head, and he is the foundation on which the seven Pátálas rest. His power, his glory, his form, his nature, cannot be described, cannot he comprehended by the gods themselves. Who shall recount his might, who wears this whole earth, like a garland of flowers, tinged of a purple dye by the radiance of the jewels of his crests. When Ananta, his eyes rolling with intoxication, yawns, then earth, with all her woods, and mountains, and seas, and rivers, trembles. Gandharbas, Apsarasas, Siddhas, Kinnaras, Uragas, and Chárańas are unequal to hymn his praises, and therefore he is called the infinite (Ananta), the imperishable. The sandal paste, that is ground by the wives of the snake-gods, is scattered abroad by his breath, and sheds perfume around the skies.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

2.5.22

yasyaiṣā sakalā pṛthvī phaṇāmaṇiśikhāruṇā
āste kusumamāleva kas tadvīryaṃ vadiṣyati //

Śesha bears the entire world, like a diadem, upon his head, and he is the foundation on which the seven Pátálas rest. His power, his glory, his form, his nature, cannot be described, cannot he comprehended by the gods themselves. Who shall recount his might, who wears this whole earth, like a garland of flowers, tinged of a purple dye by the radiance of the jewels of his crests. When Ananta, his eyes rolling with intoxication, yawns, then earth, with all her woods, and mountains, and seas, and rivers, trembles. Gandharbas, Apsarasas, Siddhas, Kinnaras, Uragas, and Chárańas are unequal to hymn his praises, and therefore he is called the infinite (Ananta), the imperishable. The sandal paste, that is ground by the wives of the snake-gods, is scattered abroad by his breath, and sheds perfume around the skies.

Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

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