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# Vishnupurana 5.13.25

Viṣṇupurāṇa 5.13.25

- **Language:** Sanskrit

### [5.13.25](https://indike.org/pramana/in.purana.visnu.5.13.25)

kṛṣṇo 'ham etat lalitaṃ vrajāmy ālokyatāṃ gatiḥ  
anyā bravīti kṛṣṇasya mama gītir niśamyatām //

> But Krishńa, observing the clear sky bright with the autumnal moon, and the air perfumed with the fragrance of the wild water-lily, in whose buds the clustering bees were murmuring their songs, felt inclined to join with the Gopís in sport. Accordingly he and Ráma commenced singing sweet low strains in various measures, such as the women loved; and they, as soon as they heard the melody, quitted their homes, and hastened to meet the foe of Madhu. One damsel gently sang an accompaniment to his song; another attentively listened to his melody: one calling out upon his name, then shrunk abashed; whilst another, more bold, and instigated by affection, pressed close to his side: one, as she sallied forth, beheld some of the seniors of the family, and dared not venture, contenting herself with meditating on Krishńa with closed eyes, and entire devotion, by which immediately all acts of merit were effaced by rapture, and all sin was expiated by regret at not beholding him: and others, again, reflecting upon the cause of the world, in the form of the supreme Brahma, obtained by their sighing final emancipation. Thus surrounded by the Gopís, Krishńa thought the lovely moonlight night of autumn propitious to the Rasa dance. Many of the Gopís imitated the different actions of Krishńa, and in his absence wandered through Vrindavan, representing his person. "I am Krishńa," cries one; "behold the elegance of my movements." "I am Krishńa," exclaims another;  
> — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

> "listen to my song." "Vile Kálíya, stay! for I am Krishńa," is repeated by a third, slapping her arms in defiance. A fourth calls out, "Herdsmen, fear nothing; be steady; the danger of the storm is over, for, lo, I lift up Govarddhana for your shelter." And a fifth proclaims, "Now let the herds graze where they will, for I have destroyed Dhenuka." Thus in various actions of Krishńa the Gopís imitated him, whilst away, and beguiled their sorrow by mimicking his sports. Looking down upon the ground, one damsel calls to her friend, as the light down upon her body stands erect with joy, and the lotuses of her eyes expand, "See here are the marks of Krishńa's feet, as he has gone alone sportively, and left the impressions of the banner, fife thunderbolt, and the goad. What lovely maiden has been his companion, inebriate with passion, as her irregular footmarks testify? Here Dámodara has gathered flowers from on high, for we see alone the impressions of the tips of his feet. Here a nymph has sat down with him, ornamented with flowers, fortunate in having propitiated Vishńu in a prior existence. Having left her in an arrogant mood, because he had offered her flowers, the son of Nanda has gone by this road; for see, unable to follow him with equal steps, his associate has here tripped along upon her toes, and, holding his hand, the damsel has passed, as is evident from the uneven and intermingled footsteps.  
> — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition

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## Translations (2)

- [The Vishnu Purana: A System of Hindu Mythology and Tradition](https://indike.org/pramana/in.purana.visnu~en-wilson.5.13.2.1) — Horace Hayman Wilson 1840, English
- [A Prose English Translation of Vishnupuranam](https://indike.org/pramana/in.purana.visnu~en-dutt.5.13.p3.2) — Manmatha Nath Dutt 1896, English

## Other recensions (1)

- [Viṣṇupurāṇa (vulgate)](https://indike.org/pramana/in.purana.visnu*vulgate.5.13.26) — Sanskrit

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Source: [https://indike.org/pramana/in.purana.visnu.5.13.25](https://indike.org/pramana/in.purana.visnu.5.13.25) · Pramāṇa
