[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Purāṇas](https://indike.org/pramana/in.purana) › [Vishnupurana](https://indike.org/pramana/in.purana.visnu) › 5.20 # Vishnupurana 5.20 Viṣṇupurāṇa 5.20 - **Language:** Sanskrit ## Contents - [5.20.92](https://indike.org/pramana/in.purana.visnu.5.20.92) — 1 part ### [5.20.1](https://indike.org/pramana/in.purana.visnu.5.20.1) parāśara uvāca: rājamārge tataḥ kṛṣṇaḥ sānulepanabhājanām dadarśa kubjām āyāntīṃ navayauvanagocarām // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.2](https://indike.org/pramana/in.purana.visnu.5.20.2) tām āha lalitaṃ kṛṣṇaḥ kasyedam anulepanam bhavatyā nīyate satyaṃ vadendīvaralocane // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.3](https://indike.org/pramana/in.purana.visnu.5.20.3) sakāmenaiva sā proktā sānurāgā hariṃ prati prāha sā lalitaṃ kubjā taddarśanabalātkṛtā // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.4](https://indike.org/pramana/in.purana.visnu.5.20.4) kānta kasmān na jānāsi kaṃsenābhiniyojitām naikavakreti vikhyātām anulepanakarmaṇi // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.5](https://indike.org/pramana/in.purana.visnu.5.20.5) nānyapiṣṭaṃ hi kaṃsasya prītaye hy anulepanam bhavaty aham atīvāsya prasādadhanabhājanam // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.6](https://indike.org/pramana/in.purana.visnu.5.20.6) śrīkṛṣṇa uvāca: sugandham etad rājārhaṃ ruciraṃ rucirānane āvayor gātrasadṛśaṃ dīyatām anulepanam // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.7](https://indike.org/pramana/in.purana.visnu.5.20.7) parāśara uvāca: śrutvaitad āha sā kubjā gṛhyatām iti sādaram anulepanaṃ ca dadau gātrayogyam athobhayoḥ // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.8](https://indike.org/pramana/in.purana.visnu.5.20.8) bhakticchedānuliptāṅgau tatas tau puruṣarṣabhau sendracāpau virājetāṃ sitakṛṣṇāv ivāmbudau // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.9](https://indike.org/pramana/in.purana.visnu.5.20.9) tatas tāṃ cibuke śaurir ullāpanavidhānavit utpāṭya tolayām āsa dvyaṅgulenāgrapāṇinā // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.10](https://indike.org/pramana/in.purana.visnu.5.20.10) cakarṣa padbhyāṃ ca tadā ṛjutvaṃ keśavo 'nayat tataḥ sā ṛjutāṃ prāptā yoṣitām abhavad varā // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.11](https://indike.org/pramana/in.purana.visnu.5.20.11) vilāsalalitaṃ prāha premagarbhabharālasam vastre pragṛhya govindaṃ vraja gehaṃ mameti vai // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.11x27-1](https://indike.org/pramana/in.purana.visnu.5.20.11x27-1) evam uktas tayā śaurī rāmasyālokya cānanam // ### [5.20.11x27-2](https://indike.org/pramana/in.purana.visnu.5.20.11x27-2) prahasya kubjāṃ tām āha naikavakrām aninditām // ### [5.20.11x28](https://indike.org/pramana/in.purana.visnu.5.20.11x28) ity uktavantīm ālokya prahasan harir abravīt // ### [5.20.12](https://indike.org/pramana/in.purana.visnu.5.20.12) āyāsye bhavatīgeham iti tāṃ prahasan hariḥ visasarja jahāsoccai rāmasyālokya cānanam // > As they proceeded along the high road, they saw coming towards them a young girl, who was crooked, carrying a pot of unguent. Krishńa addressed her sportively, and said, "For whom are you carrying that unguent? tell me, lovely maiden; tell me truly." Spoken to as it were through affection, Kubjá, well disposed towards Hari, replied to him also mirthfully, being smitten by his appearance; "Know you not, beloved, that I am the servant of Kansa, and appointed, crooked as I am, to prepare his perfumes. Unguent ground by any other he does not approve of: hence I am enriched through his liberal rewards." Then said Krishńa, "Fair-faced damsel, give us of this unguent, fragrant and fit for kings, as much as we may rub upon our bodies." "Take it," answered Kubjá.; and she gave them as much of the unguent as was sufficient for their persons; and they rubbed it on various parts of their faces and bodies, till they looked like two clouds, one white and one black, decorated by the many-tinted bow of Indra. Then Krishńa, skilled in the curative art, took hold of her, under the chin, with the thumb and two fingers, and lifted up her head, whilst with his feet he pressed down her feet; and in this way he made her straight. When she was thus relieved from her deformity, she was a most beautiful woman; and, filled with gratitude and affection, she took Govinda by the garment, and invited him to her house. Promising to come at some other time, Krishńa smilingly dismissed her, and then laughed aloud on beholding the countenance of Baladeva. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.13](https://indike.org/pramana/in.purana.visnu.5.20.13) bhakticchedānuliptāṅgau nīlapītāmbarau ca tau dhanuḥśālāṃ tato yātau citramālyopaśobhitau // > Dressed in blue and yellow garments, and anointed with fragrant unguents, Keśava and Ráma proceeded to the hall of arms, which was hung round with garlands. Inquiring of the warders which bow he was to try, and being directed to it, he took it, and bent it; but drawing it with violence, he snapped it in two, and all Mathurá resounded with the noise which its fracture occasioned. Abused by the warders for breaking the bow, Krishńa and Ráma retorted, and defied them, and left the hall. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.14](https://indike.org/pramana/in.purana.visnu.5.20.14) āyogavaṃ dhanūratnaṃ tābhyāṃ pṛṣṭais tu rakṣibhiḥ ākhyāte sahasā kṛṣṇo gṛhītvāpūrayad dhanuḥ // > Dressed in blue and yellow garments, and anointed with fragrant unguents, Keśava and Ráma proceeded to the hall of arms, which was hung round with garlands. Inquiring of the warders which bow he was to try, and being directed to it, he took it, and bent it; but drawing it with violence, he snapped it in two, and all Mathurá resounded with the noise which its fracture occasioned. Abused by the warders for breaking the bow, Krishńa and Ráma retorted, and defied them, and left the hall. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.15](https://indike.org/pramana/in.purana.visnu.5.20.15) tataḥ pūrayatā tena bhajyamānaṃ balād dhanuḥ cakāra sumahāśabdaṃ mathurā yena pūritā // > Dressed in blue and yellow garments, and anointed with fragrant unguents, Keśava and Ráma proceeded to the hall of arms, which was hung round with garlands. Inquiring of the warders which bow he was to try, and being directed to it, he took it, and bent it; but drawing it with violence, he snapped it in two, and all Mathurá resounded with the noise which its fracture occasioned. Abused by the warders for breaking the bow, Krishńa and Ráma retorted, and defied them, and left the hall. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.16](https://indike.org/pramana/in.purana.visnu.5.20.16) anuyuktau tatas tau tu bhagne dhanuṣi rakṣibhiḥ rakṣisainyaṃ nikṛtyobhau niṣkrāntau kārmukālayāt // > Dressed in blue and yellow garments, and anointed with fragrant unguents, Keśava and Ráma proceeded to the hall of arms, which was hung round with garlands. Inquiring of the warders which bow he was to try, and being directed to it, he took it, and bent it; but drawing it with violence, he snapped it in two, and all Mathurá resounded with the noise which its fracture occasioned. Abused by the warders for breaking the bow, Krishńa and Ráma retorted, and defied them, and left the hall. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.17](https://indike.org/pramana/in.purana.visnu.5.20.17) akrūrāgamavṛttāntam upalabhya tathā dhanuḥ bhagnaṃ śrutvātha kaṃso 'pi prāha cāṇūramuṣṭikau // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.18](https://indike.org/pramana/in.purana.visnu.5.20.18) kaṃsa uvāca: gopāladārakau prāptau bhavadbhyāṃ tau mamāgrataḥ mallayuddhe nihantavyau mama prāṇaharau hi tau // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.19](https://indike.org/pramana/in.purana.visnu.5.20.19) niyuddhe tadvināśena bhavadbhyāṃ toṣito hy aham dāsyāmy abhimatān kāmān nānyathaitan mahābalau // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.20](https://indike.org/pramana/in.purana.visnu.5.20.20) nyāyato 'nyāyato vāpi bhavadbhyāṃ tau mamāhitau hantavyau tadvadhād rājyaṃ sāmānyaṃ vo bhaviṣyati // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.21](https://indike.org/pramana/in.purana.visnu.5.20.21) ity ādiśya sa tau mallau tataś cāhūya hastipam provācoccais tvayā mallasamājadvāri kuñjaraḥ // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.22](https://indike.org/pramana/in.purana.visnu.5.20.22) sthāpyaḥ kuvalayāpīḍas tena tau gopadārakau ghātanīyau niyuddhāya raṅgadvāram upāgatau // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.23](https://indike.org/pramana/in.purana.visnu.5.20.23) tam apy ājñāpya dṛṣṭvā ca mañcān sarvān upākṛtān āsannamaraṇaḥ kaṃsaḥ sūryodayam udaikṣata // > When Kansa knew that Akrúra had returned, and heard that the bow had been broken, he thus said to Cháńúra and Musht́ika, his boxers: "Two youths, cowherd boys, have arrived; you must kill them both, in a trial of strength, in my presence; for they practise against my life. I shall be well pleased if you kill them in the match, and will give you whatever you wish; not else. These two foes of mine must be killed by you fairly or unfairly. The kingdom shall be ours in common, when they have perished." Having given them these orders, he sent next for his elephant driver, and desired him to station his great elephant Kuvalayápíd́a, who was as vast as a cloud charged with rain, near the gate of the arena, and drive him upon the two boys when they should attempt to enter. When Kansa had issued these commands, and ascertained that the platforms were all ready for the spectators, he awaited the rising of the sun, unconscious of impending death. > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.24](https://indike.org/pramana/in.purana.visnu.5.20.24) tataḥ samastamañceṣu nāgaraḥ sa tadā janaḥ rājamañceṣu cārūḍhāḥ saha bhṛtyair mahībhṛtaḥ // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.25](https://indike.org/pramana/in.purana.visnu.5.20.25) mallaprāśnikavargaś ca raṅgamadhyasamīpataḥ kṛtaḥ kaṃsena kaṃso 'pi tuṅgamañce vyavasthitaḥ // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.26](https://indike.org/pramana/in.purana.visnu.5.20.26) antaḥpurāṇāṃ mañcāś ca tathānye parikalpitāḥ anye ca vāramukhyānām anye nāgarayoṣitām // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.27](https://indike.org/pramana/in.purana.visnu.5.20.27) nandagopādayo gopā mañceṣv anyeṣv avasthitāḥ akrūravasudevau ca mañcaprānte vyavasthitau // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.28](https://indike.org/pramana/in.purana.visnu.5.20.28) nāgarīyoṣitāṃ madhye devakī putragṛddhinī antakāle 'pi putrasya drakṣyāmi ruciraṃ mukham // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.29](https://indike.org/pramana/in.purana.visnu.5.20.29) vādyamāneṣu tūryeṣu cāṇūre cātivalgati hāhākārapare loke āsphoṭayati muṣṭike // > In the morning the citizens assembled on the platforms set apart for them, and the princes, with the ministers and courtiers, occupied the royal seats. Near the centre of the circle judges of the games were stationed by Kansa, whilst he himself sat apart close by upon a lofty throne. Separate platforms were erected for the ladies of the palace, for the courtesans, and for the wives of the citizens. Nanda and the cowherds had places appropriated to them, at the end of which sat Akrúra and Vasudeva. Amongst the wives of the citizens appeared Devakí, mourning for her son, whose lovely face she longed to behold even in the hour of his destruction. When the musical instruments sounded, Cháńúra sprang forth, and the people cried, "Alas!" and Musht́ika slapped his arms in defiance. Covered with must and blood from the elephant, whom, when goaded upon them by his driver, they had slain, and armed with his tusks, Balabhadra and Janárddana confidently entered the arena, like two lions amidst a herd of deer. Exclamations of pity arose from all the spectators, along with expressions of astonishment. "This then," said the people, "is Krishńa! this is Balabhadra! This is he by whom the fierce night-walker Pútaná was slain; by whom the waggon was overturned, and the two Arjuna trees felled! This is the boy who trampled and danced on the serpent Kálíya; who upheld the mountain Govarddhana for seven nights; who killed, as if in play, the iniquitous Arisht́a, Dhenuka, and Keśin! This whom we see is Achyuta! This is he who has been foretold by the wise, skilled in the sense of the Puráńas, as Gopála, who shall exalt the depressed Yádava race! This is a portion of the all-existing, all-generating Vishńu, descended upon earth, who will assuredly lighten her load!" Thus did the citizens describe Ráma and Krishńa, as soon as they appeared; whilst the breast of Devakí glowed with maternal affection; and Vasudeva, forgetting his infirmities, felt himself young again, on beholding the countenances of his sons as a season of rejoicing. The women of the palace, and the wives of the citizens, wide opened their eyes, and gazed intently upon Krishńa. "Look, friends," said they to their companions; "look at the face of Krishńa; his eyes are reddened by his conflict with the elephant, and the drops of perspiration stand upon his cheeks, outvieing a full blown lotus in autumn, studded with glittering dew. Avail yourself now of the faculty of vision. Observe his breast, the seat of splendour, marked with the mystic sign; and his arms, menacing destruction to his foes. Do you not notice Balabhadra, dressed in a blue garment; his countenance as fair as the jasmine, as the moon, as the fibres of the lotus stem? See how he gently smiles at the gestures of Musht́ika and Cháńúra, as they spring up. And now behold Hari advance to encounter Cháńúra. What! are there no elders, judges of the field? How can the delicate form of Hari, only yet in the dawn of adolescence, be regarded as a match for the vast and adamantine bulk of the great demon? Two youths, of light and elegant persons, are in the arena, to oppose athletic fiends, headed by the cruel Cháńúra. This is a great sin in the judges of the games, for the umpires to suffer a contest between boys and strong men." > — Horace Hayman Wilson 1840, The Vishnu Purana: A System of Hindu Mythology and Tradition ### [5.20.29x29-1](https://indike.org/pramana/in.purana.visnu.5.20.29x29-1) dṛṣṭvā kuvalayāpīḍaṃ ghoradantaṃ sudāruṇam // ### [5.20.29x29-2](https://indike.org/pramana/in.purana.visnu.5.20.29x29-2) krīḍitvā suciraṃ kṛṣṇaḥ karidantapadāntare // ### [5.20.29x29-3](https://indike.org/pramana/in.purana.visnu.5.20.29x29-3) dantadvayaṃ tu jagrāha karābhyāṃ kariṇas tadā // ### [5.20.29x29-4](https://indike.org/pramana/in.purana.visnu.5.20.29x29-4) jaghāna vāmapādena mastake hastinas tataḥ // ### [5.20.29x29-5](https://indike.org/pramana/in.purana.visnu.5.20.29x29-5) utpāṭya vāmadantaṃ tu dakṣiṇenaiva pāṇinā // ### [5.20.29x29-6](https://indike.org/pramana/in.purana.visnu.5.20.29x29-6) tāḍayām āsa yantāraṃ tasyāsīc chatadhā śiraḥ // ### [5.20.29x29-7](https://indike.org/pramana/in.purana.visnu.5.20.29x29-7) dakṣiṇaṃ dantam utpāṭya balabhadro 'pi tatkṣaṇāt // _First 39 of 138 passages. [Read on](https://indike.org/pramana/in.purana.visnu.5.20)_ ## Translations (2) - [The Vishnu Purana: A System of Hindu Mythology and Tradition](https://indike.org/pramana/in.purana.visnu~en-wilson.5.20.1) — Horace Hayman Wilson 1840, English - [A Prose English Translation of Vishnupuranam](https://indike.org/pramana/in.purana.visnu~en-dutt.5.20.p1) — Manmatha Nath Dutt 1896, English ## Other recensions (1) - [Viṣṇupurāṇa (vulgate)](https://indike.org/pramana/in.purana.visnu*vulgate.5.20.1) — Sanskrit ## Linked texts (3) - [Brahmapurāṇa](https://indike.org/pramana/in.purana.brahma.193.1) — Vyāsa, Sanskrit - [Critical edition (BORI)](https://indike.org/pramana/in.lit.mahabharata.harivamsa*crit.71.27) — Sanskrit - [Ṭoḍarānanda](https://indike.org/pramana/in.niti.dharma.nibandha.mahanibandha.todarananda.11.778) — Ṭoḍaramalla 1564, Sanskrit --- Source: [https://indike.org/pramana/in.purana.visnu.5.20](https://indike.org/pramana/in.purana.visnu.5.20) · Pramāṇa