Kauṣītaki (Śāṅkhāyana) Brāhmaṇa 15.1
Kauṣītakibrāhmaṇa 15.1
- Language
- Sanskrit
15.1.1
devā vā arbudena ca pāvamānībhiś ca grāvṇo abhiṣṭutyā āpnuvann amṛtatvam / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.2
āpnuvant satyam saṃkalpam /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.3
tatho eva etad yajamāno yad arbudena ca pāvamānībhiś ca grāhṇo abhiṣṭauty āpnoty amṛtatvam / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.4
āpnoti satyam saṃkalpam /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.5
atha stute pavamāne dadhi gharmeṇa caranti /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.6
atra kālo hi bhavati / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.7
atho savanasya eva sarasatāyai /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.8
atha haviṣ paṅktyā caranti tasyā uktam brāhmaṇam /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.9
bhāradvājyā madhyaṃdine prasthitānām yajati /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.10
bharadvājo ha madhyaṃdina indrāya somam pradadau /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.11
sā vā aindrī triṣṭub bhavati / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.14
āhutīnām pratiṣṭhityai /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.15
atha hotrāḥ samyajanti tāsām uktam brāhmaṇam / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.16
atha iḍā atha hotṛ camasas tasya uktam brāhmaṇam /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.17
huteṣu dākṣiṇeṣu dakṣiṇā nīyante / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.20
atho dakṣiṇābhir vai yajñam dakṣayati /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.21
tad yad dakṣiṇābhir vai yajñam dakṣayati / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.22
tasmād dakṣiṇā nāma /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.23
ātma dakṣiṇam vai satram /
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.24
tasmād ahar ahar japeyuḥ / (soma: mādhyaṃdina savana)
xv. 1. The Gods having praised the pressing stones with the Arbuda (hymn ) and the verses for (Soma), the purifying, obtained immortality, obtained truth and resolve. Verily thus also the sacrificer in that he praises the pressing stones with the Arbuda (hymn) and the verses for (Soma), the purifying, obtains immortality, obtains truth and resolve. When the Pavamāna has been sung, they proceed with the pot of milk, for this is the time for it; moreover (it serves) to give the pressing sap. Then they proceed with the set of five oblations; the explanation of this has been given. At the midday he utters a verse of Bharadvāja’s as the offering verse for the Prasthitas; at the midday Bharadvāja gave Soma to Indra. It is a Triṣṭubh verse, addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second _vaṣaṭ_, for the healing of the libations, for the support of the libations. Then the Hotrakas sacrifice together; the explanation of these (offerings) has been given; then come the sacrificial food and the Hotṛ’s bowl; the explanation of that has been given. When the Dakṣiṇā offerings have been made, the fees are taken, for then the pressing stops. Moreover he ransoms himself in that the fees are taken; moreover with the fees he makes strong the sacrifice; in that with the fees he makes strong (_dakṣayati_) the sacrifice, therefore has the fee its name. The Sattra has the self as the Dakṣiṇā; therefore day by day should they mutter, ‘Here let me take myself as a fee for fair fame, for the world of heaven,
15.1.26
idam aham mām kalyāṇyai kīrtyai svargāya lokāya amṛtatvāya dakṣiṇām nayanti / (soma: mādhyaṃdina savana)
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.27
vaiśvāmitrīm marutvatīya grahasya puronuvākyām anūcya vaiśvāmitryā yajati / (soma: mādhyaṃdina savana)
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.28
savana tatir vai marutvatīya grahaḥ /
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.29
vāg vai viśvāmitraḥ /
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.30
vācā yajñas tāyate / (soma: mādhyaṃdina savana)
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.31
te vā aindryau triṣṭubhau bhavataḥ /
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.32
aindram hi traiṣṭubham mādhyaṃdinam savanam / (soma: mādhyaṃdina savana)
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.33
anuvaṣaṭ karoty āhutīnām eva śāntyai /
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
15.1.34
āhutīnām pratiṣṭhityai / (soma: mādhyaṃdina savana)
for immortality'; verily thus they take themselves as a fee for fair fame, for the world of heaven, for immortality. Having recited (a verse ) by Viçvāmitra as the invitatory (verse) of the cup for the Maruts, he utters (a verse ) by Viçvāmitra as the offering verse; the cup for the Maruts is the continuity of the pressing; Viçvāmitra is speech; by speech the sacrifice is continued. These are two Triṣṭubhs addressed to Indra; the midday pressing is connected with Indra and the Triṣṭubh. He says the second *vaṣaṭ*, for the healing of the libations, for the support of the libations.
Translations (2)
- Rigveda Brahmanas: The Aitareya and Kauṣītaki Brāhmaṇas of the Rigveda (HOS 25) — Arthur Berriedale Keith 1920, English
- English (machine translation) — English, machine translation
Linked texts (1)
- Kalpaḥ — Sanskrit