[Pramāṇa](https://indike.org/pramana/) › [Indian literature](https://indike.org/pramana/in) › [Vedic Literature](https://indike.org/pramana/in.veda) › [Brāhmaṇas (ritual exegesis)](https://indike.org/pramana/in.veda.brahmana) › [Kauṣītaki (Śāṅkhāyana) Brāhmaṇa](https://indike.org/pramana/in.veda.brahmana.kausitaki) › 23.11.29 # Kauṣītaki (Śāṅkhāyana) Brāhmaṇa 23.11.29 Kauṣītakibrāhmaṇa 23.11.29 - **Language:** Sanskrit ### [23.11.29](https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11.29) tasya dve pariśiṣya ye yajñena dakṣiṇayā samaktā ity etam nārāśaṃsam āvapati / (soma: pṛṣṭhya sadaha) > to Savitṛ; there is repetition in ‘Savitṛ for instigation’; the sixth day is the end; having gone to the end, he repeats as it were; for hence whitherward should he go? ‘Which is the first, which the latter of these two?’ is (the hymn) to sky and earth; there is repetition in ‘first’ and ‘latter’; the sixth day is the end; having gone to the end, he repeats as it were, for hence whitherward should he go? ‘Why hath the best, why hath the youngest come to us?’ is (the hymn) to the Ṛbhus; there is repetition in ‘best’ and ‘youngest’; the sixth day is the end; having gone to the end, he repeats as it were, for hence whitherward should he go? ‘This dread thing be of glad speech’ is (the hymn) to the All-gods, containing (the word) ‘stand’ in ‘When making his parents, standing firm on liberality’; this is a symbol of the end; the sixth day is the end; having gone to the end, he stands still as it were, for hence whitherward should he go? Having left over the last two (verses), he throws in (the hymn) to Narāśaṅsa, ‘Those who through the sacrifice are adorned with the fee.’ The hymn is the body, (the hymn) to Narāśaṅsa is offspring and cattle; verily thus in the middle in the body he places both sets, offspring and cattle. ‘The dark day and the bright day’ is (the hymn) to Vaiçvānara; there is repetition in ‘and the bright day’; the sixth day is the end; having gone to the end, he repeats as it were, for hence whitherward should he go? ‘Forward the Maruts, devoted, with gleaming lances’ is (the hymn) to the Maruts; in that it has the same endings it is a symbol of the end. ‘This praise to Jātavedas who doth deserve it’ is (the hymn) to Jātavedas; in that it has the same endings it is a symbol of the end. ‘Let us not be harmed; let us not be harmed’ at the end is a symbol of freedom from harm. The waters with the sixth day they obtain, the Atichandas metre, the Trayastriṅça Stoma, the Raivata Sāman, the zenith quarter, the cool of the seasons, the All-gods, Prajāpati, born of the gods, the overlord. > — Arthur Berriedale Keith 1920, Rigveda Brahmanas: The Aitareya and Kauṣītaki Brāhmaṇas of the Rigveda (HOS 25) - [Previous: 23.11.28\_2](https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11.28_2) - [Next: 23.11.30](https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11.30) - [Up: 23.11](https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11) ## Translations (2) - [Rigveda Brahmanas: The Aitareya and Kauṣītaki Brāhmaṇas of the Rigveda (HOS 25)](https://indike.org/pramana/in.veda.brahmana.kausitaki~en-keith.23.p16) — Arthur Berriedale Keith 1920, English - [English (machine translation)](https://indike.org/pramana/in.veda.brahmana.kausitaki~en-mt.23.11.29) — English, machine translation ## Linked texts (1) - [Aitareyabrāhmaṇa](https://indike.org/pramana/in.veda.brahmana.aitreya.5.13) — Mahidāsa Aitareya, Sanskrit --- Source: [https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11.29](https://indike.org/pramana/in.veda.brahmana.kausitaki.23.11.29) · Pramāṇa