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Śatapatha Brāhmaṇa ("of a hundred paths") 1.4.5

Śatapathabrāhmaṇa 1.4.5

Language
Sanskrit

1.4.5.1

sa srucottaramāghāramāghārayiṣyan | pūrveṇa srucāvañjaliṃ nidadhāti namo devebhyaḥ svadhā pitṛbhya iti taddevebhyaścaivaitatpitṛbhyaścārtvijyaṃ kariṣyannihnute suyame me bhūyāstamiti srucāvādatte subhare me bhuyāstam bhartuṃ vāṃ śakeyamityevaitadāhāskannamadya devebhya ājyaṃ sambhriyāsamityavikṣubdhamadya devebhyo yajñaṃ tanavā ityevaitadāha

When he (the Adhvaryu) is about to make the second libation with the offering-spoon (sruk), he (twice) lays his joined hands (añgali) on the ground before the two offering-spoons (guhû and upabhrit), with the formulas (Vâg. S. II, 7 b), 'Adoration to the gods!' 'Svadhâ to the fathers!' Thereby he propitiates the gods and the fathers, now that he is about to perform the duties of the sacrificial priest. With the formula, 'May ye two be easy to manage for me!' he takes the two offering-spoons: he thereby means to say, 'May ye two be easy to handle for me; may I be able to handle you!'--He further says (Vâg. S. II. 8), 'May I this day offer up the butter to the gods unspilt!' whereby he means to say, 'May I to-day perform an undisturbed sacrifice to the gods!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.2

aṅghraṇā viṣṇo mā tvāvakramiṣamiti | yajño vai viṣṇustasmā evaitannihnute mā tvāvakramiṣamiti vasumatīmagne te cāyāmupastheṣamiti sādhvīmagne te cāyāmupastheṣamityevaitadāha

And again, 'May I not sin against thee with my foot, O Vishnu!' Vishnu, indeed, is the sacrifice: it is the latter therefore that he propitiates by saying, 'may I not sin against thee!' Further, 'May I step into thy wealth-abounding shade, O Agni!' whereby he says, 'may I step into thy auspicious shade, O Agni!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.3

viṣṇo sthānamasīti | yajño vai viṣṇustasyeva hyetadantika tiṣṭhati tasmādāha viṣṇo sthānamasītīta indro vīryamakṛṇodityato hīndrastiṣṭhandakṣiṇato nāṣṭrā rakṣāṃsyapāhaṃstasmādāheta indro vīryamakṛṇodityūrdhvo 'dhvara āsthādityadhvaro vai yajña ūrdhvo yajña āsthādityevaitadāha

Further, 'Thou art the abode of Vishnu!' Vishnu, indeed, is the sacrifice, and near to this he now stands: this is why he says, 'thou art the abode of Vishnu!'--'Here Indra performed his heroic deed;' for it was while standing in this place that Indra drove off towards the south the evil spirits, the Rakshas: for this reason he says, 'here Indra performed his heroic deed.'--'Erect stood the cult;' cult, namely, means sacrifice, hence he thereby says 'erect stood the sacrifice.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.4

agne verhotraṃ verdūtyamiti | ubhayaṃ vā etadagnirdevānāṃ hotā ca dūtaśca tadubhayaṃ viddhi yaddevānāmasītyevaitadāhāvatāṃ tvāṃ dyāvāpṛthivī ava tvaṃ dyāvāpṛthivī iti nātra tirohitamivāsti sviṣṭakṛddevebhya indra ājyena haviṣābhūtsvāhetīndro vai yajñasya devatā tasmādāhendra ājyeneti vāce vā etamāghāramāghārayatīndro vāgityu vā āhustasmādvevāhendra ājyeneti

Further (Vâg. S. II, 9): 'O Agni, take thou upon thyself the office of Hotri, take thou upon thyself the part of messenger!' for Agni is both Hotri and messenger to the gods: hence he thereby says, 'know thou both (offices) which thou art (holding) for the gods!'--'May earth and heaven guard thee! Guard thou earth and heaven!' there is nothing obscure in this.--'Indra, by this butter-oblation, may be the maker of good offering (svishtakrit) for the gods! Svâhâ!' Indra, indeed, is the deity of sacrifice; therefore he says 'Indra, by this butter-oblation... 'It is for speech that he makes this sprinkling, and Indra is speech' so say some; and for this reason also he says Indra, by this butter-oblation...'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.5

athāsaṃsparśayantsrucau paryetya | dhruvayā samanakti śiro vai yajñasyottara āghāra ātmā vai dhruvā tadātmanyevaitaciraḥ pratidadhāti śiro vai yajñasyottara āghāraḥ śrīrvai śiraḥ śrīrhi vai śirastasmādyo 'rdhasya śreṣṭho bhavatyasāvamuṣyārdhasya śira ityāhuḥ

Having then returned (to his former position behind the altar), without letting the two offering-spoons touch each other, he mixes (some of the butter left in the guhû) with (that in) the dhruvâ. Now the second libation (which he has just offered) is the head of the sacrifice, and the dhruvâ is its body: hence he thereby replaces the head on the body. And the second libation, moreover, is the head of the sacrifice, and the head (siras) represents excellence (srî), for the head does indeed represent excellence: hence, of one who is the most excellent (sreshtha) of a community, people say that he is 'the head of that community.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.6

yajamāna eva dhruvāmanu | yo 'smā arātīyati sa upabhṛtamanu sa yaddhopabhṛtā samaṇjyādyo yajamānāyārātīyati tasmiṃcriyaṃ dadhyāttadyajamāna evaitacriyaṃ dadhāti tasmāddhruvayā samanakti

The sacrificer, assuredly, stands behind the dhruvâ, and he who means evil to him stands behind the upabhrit. Hence if he were to mix (the butter remaining in the guhû) with (that in) the upabhrit, he would bestow excellence on him who means evil to the sacrificer; but in this, way he bestows that excellence on the sacrificer himself: for this reason he mixes (the butter in the gull with (that in) the dhruvâ.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.7

sa samanakti | saṃ jyotiṣā jyotiriti jyotirvā itarasyāmājyam bhavati jyotiritarasyāṃ te hyetadubhe jyotiṣī saṃgacete tasmādevaṃ samanakti

He mixes it, with the text (Vâg. S. II, 9 h), 'Light with light!' for light (lustre), indeed, is the butter in the one (spoon) and light also is that in the other. Thereby these two lights unite with each other, and for this reason he mixes (the butter) in this manner.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.8

athāto manasaścaiva vācaśca | ahambhadra uditam manaśca ha vai vākcāhambhadra ūdāte

Now a dispute once took place between Mind and Speech as to which was the better of the two. Both Mind and Speech said, 'I am excellent!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.9

taddha mana uvāca | ahameva tvacreyo 'smi na vai mayā tvaṃ kiṃ canānabhigataṃ vadasi sā yanmama tvaṃ kṛtānukarānuvartmāsyahameva tvacreyo 'smīti

Mind said, 'Surely I am better than thou, for thou dost not speak anything that is not understood by me; and since thou art only an imitator of what is done by me and a follower in my wake, I am surely better than thou!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.10

atha ha vāguvāca | ahameva tvacreyasyasmi yadvai tvaṃ vetthāhaṃ tadvijñapayāmyahaṃ saṃjñapayāmīti

Speech said, 'Surely I am better than thou, for what thou knowest I make known, I communicate.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.11

te prajāpatiṃ pratipraśnameyatuḥ | sa prajāpatirmanasa evānūvāca mana eva tvacreyo manaso vai tvaṃ kṛtānukarānuvartmāsi śreyaso vai pāpīyāṅkṛtānukaro 'nuvartmā bhavatīti

They went to appeal to Pragâpati for his decision. He, Pragâpati, decided in favour of Mind, saying (to Speech), 'Mind is indeed better than thou, for thou art an imitator of its deeds and a follower in its wake; and inferior, surely, is he who imitates his better's deeds and follows in his wake.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.12

sā ha vākparoktā visiṣmiye | tasyai garbhaḥ papāta sā ha vākprajāpatimuvācāhavyavāḍevāhaṃ tubhyam bhūyāsaṃ yāṃ mā parāvoca iti tasmādyatkiṃ ca prājāpatyaṃ yajñe kriyata upāṃśveva tatkriyate havyavāḍhi vākprajāpataya āsīt

Then Speech (vâk, fem.) being thus gainsaid, was dismayed and miscarried. She, Speech, then said to Pragâpati, 'May I never be thy oblation-bearer, I whom thou hast gainsaid!' Hence whatever at the sacrifice is performed for Pragâpati, that is performed in a low voice; for speech would not act as oblation-bearer for Pragâpati.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

1.4.5.13

taddhaitaddevāḥ | retaścarmanvā yasminvā babhrustaddha smapṛcantyatreva tyāditi tato triḥ sambabhūva tasmādapyātreyyā yoṣitainasvyetasyai hi yoṣāyai vāco devatāyā ete sambhūtāḥ

That germ (retas) the gods then brought away in a skin or in some (vessel). They asked: 'Is it here (atra)?' and therefore it developed into Atri. For the same reason one becomes guilty by (intercourse) with a woman who has just miscarried (âtreyî); for it is from that woman, from the goddess Speech, that these (germs) originate.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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