Śatapatha Brāhmaṇa ("of a hundred paths") 13.3.1
Śatapathabrāhmaṇa 13.3.1
- Language
- Sanskrit
13.3.1.1
prajāpaterakṣyaśvayat tatparāpatattato'śvaḥ samabhavadyadaśvayattadaśvasyāśvatvaṃ taddevā aśvamedhenaiva pratyadadhureṣa ha vai prajāpatiṃ sarvaṃ karoti yo'śvamedhena yajate sarva eva bhavati sarvasya vā eṣā prāyaścittiḥ sarvasya bheṣajaṃ sarvaṃ vā etena pāpmānaṃ devā atarannapi vā etena brahmahatyāmataraṃstarati sarvam pāpmānaṃ tarati brahmahatyāṃ yo'śvamedhena yajate
Pragâpati's eye swelled; it fell out: thence the horse was produced; and inasmuch as it swelled (asvayat), that is the origin and nature of the horse (asva). By means of the Asvamedha the gods restored it to its place; and verily he who performs the Asvamedha makes Pragâpati complete, and he (himself) becomes complete; and this, indeed, is the atonement for everything, the remedy for everything. Thereby the gods redeem all sin, yea, even the slaying of a Brahman they thereby redeem; and he who performs the Asvamedha redeems all sin, he redeems the slaying of a Brahman.
13.3.1.2
uttaraṃ vai tatprajāpaterakṣyaśvayat tasmāduttarato'śvasyāvadyanti dakṣiṇato'nyeṣām paśūnām
It was the left eye of Pragâpati that swelled: hence they cut off the (meat) portions from the left. side of the horse, and from the right side of other victims.
13.3.1.3
vaitasaḥ kaṭo bhavati apsuyonirvā aśvo'psujā vetasaḥ svayaivainaṃ yonyā samardhayati
There is a rattan mat, for the horse was produced from the womb of the waters, and the rattan springs from the water: he thus brings it in connection with its own (maternal) womb.
13.3.1.4
catuṣṭoma stomo bhavati saraḍvā aśvasya sakthyābṛhattaddevāścatuṣṭomenaiva stomena pratyadadhuryaccatuṣṭoma stomo bhavatyaśvasyaiva sarvatvāya sarvastomo'tirātra uttamamaharbhavati sarvaṃ vai sarvastomo'tirātraḥ sarvamaśvamedhaḥ sarvasyāptyai sarvasyāvaruddhyai
The Katushtoma is the form of chanting (on the first day); for a bee tore out (a piece of) the horse's thigh, and by means of the Katushtoma form of chanting the gods restored it: thus when there is the Katushtoma mode of chanting, it is for the completeness of the horse. The last day is an Atirâtra with all the Stomas --with a view to his obtaining and securing everything, for an Atirâtra with all the Stomas is everything, and the Asvamedha is everything.
Translations (1)
- The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44) — Julius Eggeling 1882, English
Commentaries (1)
- Śatapathabrāhmaṇabhāṣya (Sāyaṇa) — Sāyaṇa, Sanskrit
Linked texts (5)
- Vedic Index of Names and Subjects — Arthur A. Macdonell & A. Berriedale Keith, English
- History of Dharmaśāstra (Ancient and Mediaeval Religious and Civil Law in India) — P. V. Kane, English
- Altindische Grammatik — Jacob Wackernagel & Albert Debrunner, German
- Sāmavedabrāhmaṇānyaṣṭau — Sanskrit
- The System of the Vedânta according to Bâdarâyana's Brahma-Sûtras and Çankara's Commentary — Paul Deussen & Charles Johnston, English