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Śatapatha Brāhmaṇa ("of a hundred paths") 3.5.2

Śatapathabrāhmaṇa 3.5.2

Language
Sanskrit

3.5.2.1

idhyamabhyādadhati | upayamanīrupakalpayantyājyamadhiśrayati sruvaṃ ca srucaṃ sammārṣṭyathotpūyājyam pañcagṛhītaṃ gṛhṇīte yadā pradīpta idhmo bhavati

They put fire-wood on (the Âhavanîya fire), and prepare the underlayer (of gravel). He (the Adhvaryu) puts the butter on (the Gârhapatya to melt), and cleans both the dipping-spoon and the offering-spoon. Having then clarified the ghee, he ladles five times thereof (into the offering-spoon). When the fire-wood is ablaze-

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.2

athodyacantīdhmam | upayacantyupayamanīrathāhāgnaye prahriyamāṇāyānubrūhyekasphyayānūdehītyanūdaiti pratiprasthātaikasphyayaitasmānmadhyamācaṅkorya eṣa vederjaghanārdhe bhavati tadyadevātrāntaḥpātena gārhapatyasya vedervyavacinnam bhavati tadevaitadanusaṃtanoti

They lift the (burning) fire-wood, and place it on the underlayer. Thereupon he says (to the Hotri), 'Recite for Agni as he is taken forward!' (and to the Pratiprasthâtri), 'Come up after me with the single sword(-line)!' The Pratiprasthâtri goes up after him with the single sword(-line) as far as that middle peg on the hind-part of the altar: whatever part of the Gârhapatya is cut off from the altar by that intermediate (peg), that he thereby carries on to (connects with) it.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.3

taddhaike | ottaravederanūdāyanti tadu tathā na kuryādaivaitasmānmadhyamācaṅkoranūdeyātta āyantyāgacantyuttaravedim

5:2:

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.4

prokṣaṇīradhvaryurādatte | sa purastādevāgre prokṣatyudaṅ tiṣṭhannindraghoṣastvā vasubhiḥ purastātpātvitīndraghoṣastvā vasubhiḥ purastādgopāyatvityevaitadāha

The Adhvaryu takes the sprinkling-water. He first sprinkles (the high altar) in front, while standing (south of it) facing the north, with the text (Vâg. S. V, 11), 'May Indra's noise shield thee in front with the Vasus!' whereby he means to say, 'May Indra's noise protect thee in front with the Vasus.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.5

atha paścātprokṣati | pracetāstvā rudraiḥ paścātpātviti pracetāstvā rudraiḥ paścādgopāyatvityevaitadāha

He then sprinkles it behind with, 'May the Wise shield thee from behind with the Rudras!' whereby he means to say, 'May the Wise One protect thee from behind with the Rudras!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.6

atha dakṣiṇataḥ prokṣati | manojavāstvā pitṛbhirdakṣiṇataḥ pātviti manojavāstvā pitṛbhirdakṣiṇato gopāyatvityevaitadāha

He then sprinkles on the right (south) side with, 'May the Thought-swift shield thee with the Fathers on the right!' whereby he means to say, 'May he swift as thought protect thee on the right with the Fathers!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.7

athottarataḥ prokṣati | viśvakarmā tvādityairuttarataḥ pātviti viśvakarmā tvādityairuttarato gopāyatvityevaitadāha

He then sprinkles on the left side with, 'May Visvakarman (the All-shaper) shield thee with the Âdityas on the left!' whereby he means to say, 'May Visvakarman protect thee on the left with the Âdityas!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.8

atha yāḥ prokṣaṇyaḥ pariśiṣyante | tadye ete pūrve sraktī tayoryā dakṣiṇā tā nyantena bahirvedi ninayatīdamahaṃ taptaṃ vārbahirdhā yajñānniḥsṛjāmīti sā yadevādaḥ siṃhī bhūtvāśāntevācarattāmevāsyā etacucaṃ bahirdhā yajñānniḥsṛjati yadi nābhicaredyadyu abhicaredādiśedidamahaṃ taptaṃ vāramumabhi niḥsṛjāmīti tametayā śucā vidhyati sa śocannevāmuṃ lokameti

The sprinkling-water which is left he pours outside the altar close to where is the southern of those two front corners (of the high altar) with, 'This burning water I dismiss from the sacrifice.' Because she (Vâk--the altar) on that occasion became a lioness and roamed about unappeased, he thus dismisses from the sacrifice that sorrow of hers,--if he do not wish to exorcise. But should he wish to exorcise, let him indicate it by saying, 'This burning water I dismiss from the sacrifice against so and so!' He then smites him with that sorrow, and sorrowing he goes to yonder world.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.9

sa yaddhāryamāṇe 'gnau | uttaravediṃ vyāghārayati yadevaināmado devā abruvanpūrvāṃ tvāgnerāhutiḥ prāpsyatīti tadevaināmetatpūrvāmagnerāhutiḥ prāpnoti yadveṣā devānabravīdyāṃ mayā kāṃ cāśiṣamāśāsiṣyadhve sā vaḥ sarvā samardhiṣyata iti tāmenayātrartvijo yajamānāyāśiṣamāśāsate sāsmai sarvā samṛdhyate

Now as to why he pours ghee on the high altar, while the fire is held (over it). Because the gods said to her on that occasion, 'The offering shall reach thee before Agni,' therefore the offering now does reach her before (it reaches) Agni. And because she said to the gods, 'Whatsoever blessing ye will invoke through me, all that shall be accomplished unto you!' therefore the priests now invoke through her that blessing upon the sacrificer, and it is fully accomplished unto him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.10

tadvā etadekaṃ kurvandvayaṃ karoti | yaduttaravediṃ vyāghārayatyatha yaiṣām madhye nābhikeva bhavati tasyai ye pūrve sraktī tayoryā dakṣiṇā

When he pours ghee on the high altar, he does it twofold even while doing it in one. Now that which is the southern of the two front corners of that navel, so to say, which is in the middle of these (sides of the high altar)--

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.11

tasyāmāghārayati | siṃhyasi svāhetyathāparayoruttarasyāṃ siṃhyasyādityavaniḥ svāhetyathāparayordakṣiṇasyāṃ siṃhyasi brahmavaniḥ kṣatravaniḥ svāheti bahvī vai yajuḥṣvāśīstadbrahma ca kṣatraṃ cāśāsta ubhe vīrye

On that he pours ghee, with the text (Vâg. S. V, 12), 'Thou art a lioness; Hail!' Then on the northern of the two back corners with, 'Thou art a lioness, winning the Âdityas, Hail!' Then on the southern of the two back corners with, 'Thou art a lioness, winning the Brahman, winning the Kshatra, Hail!' Manifold, verily, is the prayer for blessing in the sacrificial texts: by this one he prays for the Brahman (priesthood) and the Kshatra. (nobility), those two vital forces.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.12

atha pūrvayoruttarasyāṃ | siṃhyasi suprajāvanī rāyaspoṣavaniḥ svāheti tatprajāmāśāste yadāha suprajāvaniriti rāyaspoṣavaniriti bhūmā vai rāyaspoṣastadbhūmānamāśāste

Then on the northern of the front corners with, 'Thou art a lioness, winning abundant offspring, winning growth of wealth, Hail!' In that he says, 'winning abundant offspring,' he prays for offspring; and in that he says, 'winning growth of wealth'--growth of wealth meaning abundance--he prays for abundance.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.13

atha madhya āghārayati | siṃhyasyāvaha devānyajamānāya svāheti taddevānyajamānāyāvāhayatyatha srucamudyacati bhūtebhyastveti prajā vai bhūtāni prajābhyastvetyevaitadāha

He then pours ghee into the middle with, 'Thou art a lioness, bring thou hither the gods for the sacrificer! Hail!' whereby he causes the gods to be brought to the sacrificer. He then raises the offering-spoon with, 'To the beings thee! Hail!'--beings meaning offspring--he thereby means to say, 'To offspring thee!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.14

atha paridhīnparidadhāti | dhruvo 'si pṛthivīṃ dṛṃheti madhyamaṃ dhruvakṣidasyantarikṣaṃ dṛṃheti dakṣiṇamacyutakṣidasi divaṃ dṛṃhetyuttaramagneḥ purīṣamasīti sambhārānupanivapati tadyatsambhārā bhavantyagnereva sarvatvāya

He then lays the enclosing-sticks round (the navel); with the text (Vâg. S. V, 13), 'Thou art firm, steady thou the earth!' the middle one; with, 'Thou art firmly settled, steady thou the air!' the right one; with, 'Thou art immovably settled, steady thou the sky!' the left one. With, 'Thou art Agni's provision' he throws the 'equipments' upon (the high altar). Wherefore are the equipments?--for Agni's completeness.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.15

śarīraṃ haivāsya pītudāru | tadyatpraitudāravāḥ paridhayo bhavanti śarīreṇaivainametatsamardhayati kṛtsnaṃ karoti

The pine-wood, namely, is his body: hence in that there are enclosing-sticks of pine-wood, thereby he supplies him with a body, makes him whole.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.16

māṃsaṃ haivāsya gulgulu | tadyadgulgulu bhavati māṃsenaivainametatsamardhayati kṛtsnaṃ karoti

And the bdellium, forsooth, is his flesh: hence in that there is bdellium, thereby he supplies him with flesh, makes him whole.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.17

gandho haivāsya sugandhitejanam | tadyatsugandhitejanam bhavati gandhenaivainametatsamardhayati kṛtsnaṃ karoti

And the fragrant reed-grass (sugandhi-tegana), forsooth, is his fragrance: hence in that there is fragrant reed-grass, thereby he supplies him with fragrance, makes him whole.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

3.5.2.18

atha yadvṛṣṇe stukā bhavati | vṛṣṇerha vai viṣāṇe antareṇāgnirekāṃ rātrimuvāsa tadyadevātrāgnernyaktaṃ tadihāpyasaditi tasmādvṛṣṇe stukā bhavati tasmādyā śīrṣṇo nediṣṭhaṃ syāttāmācidyāharedyadyu tāṃ na vindedapi yāmeva kāṃ cāharettadyatparidhayo bhavanti guptyā eva dūra iva hyenamuttare paridhaya āgacanti

And as to why there is a wether's hair-tuft,--Agni, forsooth, dwelt once for one night between the two horns of a wether: 'Whatever of Agni's nature is inherent therein, let that be here too,' so he thinks, and therefore there is a wether's hair-tuft. Let him, therefore, cut off that (tuft) which is nearest to the head, and bring it; and if he be unable to procure that, let him bring any kind (of wether's hair). And why there are enclosing-sticks?--for the protection (of Agni): for it is somewhat long before the next enclosing-sticks will come nigh to him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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