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Śatapatha Brāhmaṇa ("of a hundred paths") 4.2.2

Śatapathabrāhmaṇa 4.2.2

Language
Sanskrit

4.2.2.1

ātmā ha vā asyāgrayaṇaḥ | so 'syaiṣa sarvameva sarvaṃ hyayamātmā tasmādanayā gṛhṇātyasyai hi sthālī bhavati sthālyā hyenaṃ gṛhṇāti sarvaṃ vā iyaṃ sarvameṣa grahastasmādanayā gṛhṇāti

The Âgrayana graha, forsooth, is his self (body, trunk), and as such it is his all; for this self is one's all. Therefore he draws it by means of this (earth), for of her is the bowl, and with a bowl he draws this (libation); and this (earth) is all, as this graha is all: hence he takes it by means of this (earth).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.2

pūrṇaṃ gṛhṇāti | sarvaṃ vai pūrṇaṃ sarvameṣa grahastasmātpūrṇaṃ gṛhṇāti

He draws it full; for the 'full' means all, and this graha is all: therefore he draws it full.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.3

viśvebhyo devebhyo gṛhṇāti | sarvaṃ vai viśve devāḥ sarvameṣa grahastasmādviśvebhyo devebhyo gṛhṇāti

He draws it for the All-gods; for the All-gods are all, and this graha is all: therefore he draws it for the All-gods.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.4

sarveṣu savaneṣu gṛhṇāti | sarvaṃ vai savanāni sarvameṣa grahastasmātsarveṣu savaneṣu gṛhṇāti

He draws it at all (three) Soma feasts; for the (three) feasts mean all, and this graha is all: therefore he draws it at all the feasts.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.5

sa yadi rājopadasyet | tamata eva tanvīrannataḥ prabhāvayeyurātmā vā āgrayaṇa ātmano vā imāni sarvāṇyaṅgāni prabhavantyetasmādantato hāriyojanaṃ grahaṃ gṛhṇāti tadātmanyevāsyām pratiṣṭhāyāmantato yajñaḥ pratitiṣṭhati

And if the king (Soma) become exhausted, they extend him from out of that (bowl), make him issue therefrom; for the Âgrayana is the body, and from the body all these limbs issue. Therefrom they draw at the end the Hâriyogana cup: whereby the sacrifice is established at the end in this resting-place, the body (or its own self).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.6

atha yasmādāgrayaṇo nāma | yāṃ vā amūṃ grāvāṇamādadāno vācaṃ yacatyatra vai sāgre 'vadattadyatsātrāgre 'vadattasmādāgrayaṇo nāma

Then as to why it is called Âgrayana. His speech which he restrains, on taking up that press-stone, spoke out again first at this (libation); and because it spoke out first (agre) at this (libation), therefore this is called the Âgrayana.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.7

rakṣobhyo vai tām bhīṣā vācamayacan | ṣaḍvā ataḥ prāco grahāngṛhṇātyathaiṣa saptamaḥ ṣaḍvā ṛtavaḥ saṃvatsarasya sarvaṃ vai saṃvatsaraḥ

It was from fear of the evil spirits that (the gods) restrained their speech. Previously to this he draws six grahas, and this is the seventh: for there are six seasons in the year, and the year is all.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.8

tāṃ devāḥ | sarvasminvijite 'bhaye 'nāṣṭre 'trāgre vācamavadaṃstatho evaiṣa etāṃ sarvasminvijite 'bhaye 'nāṣṭre 'trāgre vācaṃ vadati

And all being conquered and free from danger and injury, the gods now first uttered speech; and in like manner does he first utter speech now that everything is conquered and free from danger and injury.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.9

athāto gṛhṇātyeva | ye devāso divyekādaśa stha pṛthivyāmadhyekādaśa stha apsukṣito mahinaikādaśa stha te devāso yajñamimaṃ juṣadhvam upayāmagṛhīto 'syāgrayaṇo 'si svāgrayaṇa iti vācamevaitadayātayāmnīṃ karoti tasmādanayā samānaṃ sadviparyāsaṃ vadatyajāmitāyai jāmi ha kuryādyadāgrayaṇo 'syāgrayaṇo 'sīti gṛhṇīyāttasmādāhāgrayaṇo 'si svāgrayaṇa iti

He now draws it from that (stream of Soma) with (Vâg. S. VII, 19; Rig-veda I, 139, 11), 'Ye Gods, who are eleven in heaven, who are eleven on earth, and who are eleven dwelling in glory in the (aerial) waters: do ye graciously accept this sacrifice!--Thou art taken with a support: thou art Âgrayana, a good firstling (sv-âgrayana)!' Hereby he makes that speech of renewed vigour; whence he speaks therewith in a different way, while yet the same, in order to avoid sameness; for were he to take it with, 'Thou art Âgrayana, thou art Âgrayana,' he would commit (the fault of) sameness: therefore he says, 'Thou art Âgrayana, a good âgrayana.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.10

pāhi yajñam pāhi yajñapatimiti | vācamevaitadutsṛṣṭāmāha gopāya yajñamiti pāhi yajñapatimiti vācamevaitadutsṛṣṭāmāha gopāya yajamānamiti yajamāno hi yajñapatirviṣṇustvāmindriyeṇa pātu viṣṇuṃ tvam pāhīti vācamevaitadutsṛṣṭāmāha yajño vai viṣṇuryajñastvāṃ vīryeṇa gopāyatviti viṣṇuṃ tvam pāhīti vācamevaitadutsṛṣṭāmāha yajñaṃ tvaṃ gopāyetyabhi savanāni pāhīti tadetaṃ grahamāha sarvāṇi hyeṣa savanāni prati

'Guard the sacrifice! guard the lord of the sacrifice!' whereby he utters freed speech, meaning to say, 'Protect the sacrifice! protect the sacrificer!' for the lord of the sacrifice is the sacrificer. 'May Vishnu-guard thee with his might! guard thou Vishnu!' whereby he utters freed speech--Vishnu being the sacrifice--'May the sacrifice protect thee with its power! protect thou the sacrifice!'--'Guard thou the Soma feasts all around!' whereby he means this very graha, because that belongs to all (three) Soma feasts.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.11

atha daśāpavitramupagṛhya hiṅkaroti | sā haiṣā vāganudyamānā tatāma tasyāṃ devā vāci tāntāyāṃ hiṅkāreṇaiva prāṇamadadhuḥ prāṇo vai hiṅkāraḥ prāṇo hi vai hiṅkārastasmādapigṛhya nāsike na hiṅkartuṃ śaknoti saitena prāṇena samajihīta yadā vai tāntaḥ prāṇaṃ labhate 'tha sa saṃjihīte tatho evaiṣa etadvāci tāntāyāṃ hiṅkāreṇaiva prāṇaṃ dadhāti saitena prāṇena saṃjihīte triṣkṛtvo hiṅkaroti trivṛddhi yajñaḥ

Having then wrapped up (the bowl in) a fringed filtering-cloth, he utters 'Hiṅ!' Now that same speech (Vâk, fem.), being unsupported, lay exhausted. By means of the 'Hiṅ' the gods infused breath into that exhausted speech, for the 'Hiṅ' is breath, the 'Hiṅ' is indeed breath: hence one cannot utter the sound 'hiṅ' after closing his nostrils. By means of that breath she rose again, for when one who is exhausted takes breath, he rises again. And in like manner does he now infuse breath into the exhausted speech by means of the 'Hiṅ,' and through. that breath she rises again. Thrice he utters the 'Hiṅ,' for threefold is the sacrifice.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.12

athāha somaḥ pavata iti | sa yāmevāmūm bhīṣāsurarakṣasebhyo na nirabruvaṃstāmevaitatsarvasminvijite 'bhaye 'nāṣṭre 'tra nirāha tāmāviṣkaroti tasmādāha somaḥ pavata iti

He then says (Vâg. S. VII, 21), 'Soma becometh pure!' For that (speech) which, for fear of the Asura-Rakshas, they (the gods) did not utter, he now utters and reveals when all is conquered and free from danger and injury: therefore he says, 'Soma becometh pure.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.13

asmai brahmaṇe 'smai kṣatrāyeti | tadbrahmaṇe ca kṣatrāya cāhāsmai sunvate yajamānāya pavata iti tadyajamānāyāha

'For this priesthood, for this nobility'--whereby he means to say, 'for the priesthood as well as for the nobility for the Soma-pressing sacrificer he becometh pure;' whereby he means to say, 'for the sacrificer.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.14

tadāhuḥ | etāvadevoktvā sādayedetāvadvā idaṃ sarvaṃ yāvadbrahma kṣatraṃ viḍindrāgnī vā idaṃ sarvaṃ tasmādetāvadevoktvā sādayediti

Here now they say, 'Having said this much, let him deposit (the cup); for as much as the priesthood, and the nobility, and the people are, so much means this All, since Indra and Agni are this All: hence, having said this much, let him deposit (the cup).'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.15

tadu brūyādeva bhūyaḥ | iṣa ūrje pavata iti vṛṣṭyai tadāha yadāheṣa ityūrja iti yo vṛṣṭādūrgraso jāyate tasmai tadāhādbhya oṣadhībhyaḥ pavata iti tadadbhyaścauṣadhībhyaścāha dyāvāpṛthivībhyām pavata iti tadābhyāṃ dyāvāpṛthivībhyāmāha yayoridaṃ sarvamadhi subhūtāya pavata iti sādhave pavata ityevaitadāha

Let him, nevertheless, say this more, 'For sap and pith he becometh pure,'--by saying 'for sap' he means to say 'for rain;' and 'for pith' he says with a view to that pith or juice which springs from rain;--'for the waters and plants he becometh pure,' this he says for the waters and plants;--'for heaven and earth he becometh pure,' this he says for those two, heaven and earth, whereon this All rests;--'for well-being he becometh pure,' whereby he means to say 'for good.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

4.2.2.16

tadu haika āhuḥ | brahmavarcasāya pavata iti tadu tathā na brūyādyadvā āhāsmai brahmaṇa iti tadeva brahmavarcasāyāha viśvebhyastvā devebhya eṣa te yonirviśvebhyastvā devebhya iti sādayati viśvebhyo hyenaṃ devebhyo gṛhṇāti taṃ vai madhye sādayatyātmā hyasyaiṣa madhya iva hyayamātmā dakṣiṇokthyasthālī bhavatyuttarādityasthālī

Here now some say, 'for spiritual lustre he becometh pure;' but let him not say so, for in saying 'for this priesthood,' he says it with a view to spiritual lustre. With, 'Thee for the All-gods! this is thy womb: thee for the All-gods!' he deposits (the cup); for it is for the All-gods that he draws it. He deposits it in the middle (of the mound); for this is his trunk, and that trunk is, as it were, in the middle. On the right (south) side of it is the Ukthya bowl, and on the left side the Âditya bowl.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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