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Shatapatha Brahmana 5.4.1

Śatapathabrāhmaṇa 5.4.1

Language
Sanskrit

5.4.1.1

keśavasya puruṣasya | lohāyasamāsya āvidhyatyaveṣṭā dandaśūkā iti sarvānvā eṣa mṛtyūnatimucyate sarvānbadhānyo rājasūyena yajate tasya jaraiva mṛtyurbhavati tadyo mṛtyuryo badhastamevaitadatinayati yaddandaśūkān

He puts a piece of copper into the mouth of a long-haired man, with (Vâg. S. X, 10), 'Removed by sacrifice are the mordacious.' For verily he who performs the Râgasûya escapes all kinds of death, all murderous blows, and old age alone is his death: hence whatever kind of death, whatever murderous blow there is, past that he now guides him, as past the mordacious ones.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.2

atha yatkeśavasya puruṣasya | na vā eṣa strī na pumānyatkeśavaḥ puruṣo yadaha pumāstena na strī yadu keśavasteno na pumānnaitadayo na hiraṇyaṃ yallohāyasaṃ naite krimayo nākrimayo yaddandaśūkā atha yallohāyasam bhavati lohitā iva hi dandaśūkāstasmātkeśavasya puruṣasya

And as to why it is of a long-haired man,--such a long-haired man is neither woman nor man; for being a male, he is not a woman, and being longhaired (a eunuch), he is not a man. And copper (or bronze) is neither iron nor gold; and those mordacious ones (snakes) are neither worms nor non-worms. And as to its being copper,--reddish to be sure are mordacious ones: therefore (he throws it in the face) of a long-haired man.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.3

athainaṃ diśaḥ samārohayati | prācīmāroha gāyatrī tvāvatu rathantaraṃ sāma trivṛtstomo vasanta ṛturbrahma draviṇam

He then makes him ascend the regions, with (Vâg. S. X, 10-14), 'Ascend thou the East! May the Gâyatrî (metre) protect thee, the Rathantara-sâman, the threefold stoma, the spring season, the Priesthood, that precious treasure!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.4

dakṣiṇāmāroha | triṣṭuptvāvatu bṛhatsāma pañcadaśa stomo grīṣma ṛtuḥ kṣatraṃ draviṇam

'Ascend thou the South! May the Trishtubh protect thee, the Brihat-sâman, the fifteenfold stoma, the summer season, the Knighthood, that precious treasure!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.5

pratīcīmāroha | jagatī tvāvatu vairūpaṃ sāma saptadaśa stomo varṣā ṛturviḍ draviṇam

'Ascend thou the West! May the Gagatî protect thee, the Vairûpa-sâman, the seventeenfold stoma, the rainy season, the Peasantry, that precious treasure!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.6

udīcīmāroha | anuṣṭuptvāvatu vairājaṃ sāmaikaviṃśa stomaḥ śaradṛtuḥ phalaṃ draviṇām

'Ascend thou the North! May the Anushtubh protect thee, the Vairâga-sâman, the twenty-onefold stoma, the autumn season, fruit, that precious treasure!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.7

ūrdhvāmāroha | paṅktistvāvatu śākvararaivate sāmanī triṇavatrayastriṃśau stomau hemantaśiśirāvṛtū varco draviṇamiti

'Ascend thou the upper region! May the Paṅkti protect thee, the Sâkvara and Raivata-sâmans, the thrice-ninefold and the three and thirtyfold stomas, the winter and dewy season, spiritual lustre, that precious treasure!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.8

tadyadenaṃ diśaḥ samārohayati | ṛtūnāmevaitadrūpamṛtūnevainametatsaṃvatsaraṃ samārohayati sa ṛtūntsaṃvatsaraṃ samāruhya sarvamevedamuparyupari bhavatyarvāgaivāsmādidaṃ sarvam bhavati

And as to why he makes him ascend the quarters,--that is a form of the seasons: it is the seasons, the year, that he thereby makes him ascend; and having ascended the seasons, the year, he is high, high above everything here, and everything here is below him.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.9

śārdūlacarmaṇo jaghanārdhe | sīsaṃ nihitam bhavati tatpadā pratyasyati pratyastaṃ namuceḥ śira iti namucirha vai nāmāsura āsa tamindro nivivyādha tasya padā śiro 'bhitaṣṭhau sa yadabhiṣṭhita udabādhata sa ucvaṅkastasya padā śiraḥ praciceda tato rakṣaḥ samabhavattaddha smainamanubhāṣate kva gamiṣyasi kva me mokṣyasa iti

On the hind part of the tiger's skin a piece of lead is laid down. He kicks it off with his foot, with (Vâg. S. X, 14), 'Kicked off is Namuki's head!' Now there was once an Âsura, Namuki by name. Indra knocked him down, and trod with his foot upon him. And in that he, thus trodden upon, bulged out, that (is the origin of) a rupture. He tore off his head with his foot, and therefrom sprang a goblin (Rakshas). That one kept calling out to him, 'Whither art thou going? Where wilt thou rid thyself of me?'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.10

tatsīsenāpajaghāna | tasmātsīsam mṛdu sṛtajavaṃ hi sarveṇa hi vīryeṇāpajaghāna tasmāddhiraṇyarūpaṃ sanna kiyaccanārhati sṛtajavaṃ hi sarveṇa hi vīryeṇāpajaghāna tadvai sa tannāṣṭrā rakṣāṃsyapajaghāna tatho evaiṣa etannāṣṭrā rakṣāṃsyato 'pahanti

He beat it off with (a disk of) lead: hence lead is soft, for it has lost its spring, as it beat off (the goblin) with all its might. Hence also, while being like gold, it is not worth anything; for it has lost its spring, as it beat off (the goblin) with all its might. And so, indeed, he (Indra) thereby beat off the fiends, the Rakshas; and in like manner this one (the king) thereby beats off the fiends, the Rakshas.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.11

athainaṃ śārdūlacarmārohayati | somasya tviṣirasīti yatra vai soma indramatyapavata sa yattataḥ śārdūlaḥ samabhavattena somasya tviṣistasmādāha somasya tviṣirasīti taveva me tviṣirbhūyāditi śārdūlatviṣimevāsminnetaddadhāti tasmādāha taveva me tviṣirbhūyāditi

He then makes him step upon the tiger's skin, with (Vâg. S. X, 15), 'Thou art Soma's beauty;'--For because when Soma flowed through Indra, he (Indra) thereupon became a tiger, and therefore he is Soma's beauty: this is why he says, 'Thou art Soma's beauty;'--'May my beauty be like unto thine!'--The tiger's beauty he thereby bestows upon him: therefore he says, 'May my beauty be like unto thine!'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.12

atha rukmamadhastādupāsyati | mṛtyoḥ pāhītyamṛtamāyurhiraṇyaṃ tadamṛta āyuṣi pratitiṣṭhati

Below (the king's foot) he throws a (small) gold plate, with, 'Save (him) from death!'--Gold is immortal life: he thus takes his stand on immortal life.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.13

atha rukmaḥ śatavitṛṇo vā bhavati | navavitṛṇo vā sa yadi śatavitṛṇaḥ śatāyurvā ayam puruṣaḥ śatatejāḥ śatavīryastasmācatavitṛṇo yadyu navavitṛṇo naveme puruṣe prāṇāstasmānnavavitṛṇaḥ

Then there is (another) gold plate, perforated either with a hundred, or with nine, holes. If with a hundred holes,--man here lives up to a hundred (years), and has a hundred energies, a hundred powers; therefore it is perforated with a hundred holes. And if with nine holes,--there are in man those nine vital airs: therefore it is perforated with nine holes.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.14

tamupariṣṭācīrṣṇo nidadhāti | ojo 'si saho syamṛtamasītyamṛtamāyurhiraṇyaṃ tadasminnamṛtamāyurdadhāti tadyadrukmā ubhayato bhavato 'mṛtamāyurhiraṇyaṃ tadamṛtenaivainametadāyuṣobhayataḥ paribṛṃhati tasmādrukmā ubhayato bhavataḥ

That (gold plate) he lays upon his head, with, 'Might thou art, victory thou art, immortality thou art!' Gold being immortal life, he thus lays immortal life into him. And as to why there are gold plates on both sides,--gold being immortal life,--he thus encloses him on both sides with immortal life: this is why there are gold plates on both sides.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.15

atha bāhū udgṛhṇāti | hiraṇyarūpā uṣaso viroka ubhāvindro udithaḥ sūryaśca ārohataṃ varuṇa mitra gartaṃ tataścakṣāthāmaditiṃ ditiṃ ceti bāhū vai mitrāvaruṇau gartastasmādāhārohataṃ varuṇa mitra gartamiti tataścakṣāthāmaditiṃ ditiṃ ceti tataḥ paśyataṃ svaṃ cāraṇaṃ cetyevaitadāha

He then lifts up his arms, with (Vâg. S. X, 16), 'Golden-bodied, ye two lords rise like the sun: mount ye the chariot, O Mitra and Varuna, and thence behold Aditi and Diti!' Mitra and Varuna verily are the two arms, and the chariot (-seat) is the man: therefore he says, 'Mount ye the chariot, O Mitra and Varuna!'--'thence behold Aditi and Diti!' By this he means to say, 'See ye your own (property) and that of others''

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.16

naitenodgṛhṇīyāt | mitro 'si varuṇo 'sītyevodgṛhṇīyādbāhū vai mitrāvaruṇau bāhubhyāṃ vai rājanyo maitrāvaruṇastasmānmitro 'si varuṇo 'sītyevodgṛhṇīyāt

Let him not lift up (the king's arms) with that one, but let him rather lift them up with, 'Thou art Mitra, thou art Varuna;' for Mitra-Varuna are the two arms, and by his arms the Râganya belongs to Mitra and Varuna: let him therefore lift up his arms with, 'Thou art Mitra, thou art Varuna.'

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.4.1.17

tadyadenamūrdhvabāhumabhiṣiñcati | vīryaṃ vā etadrājanyasya yadbāhū vīryaṃ vā etadapāṃ rasaḥ sambhṛto bhavati yenainametadabhiṣiñcati nenma idaṃ vīryaṃ vīryamapāṃ rasaḥ sambhṛto bāhūvlināditi tasmādenamūrdhvabāhumabhiṣiñcati

And as to why he anoints him (standing) with upstretched arms;--those arms in truth are the Râganya's power, and power also is that collected essence of the waters wherewith he now anoints him: 'Lest that power, the collected essence of the waters, weigh down (paralyze) this power of mine, the arms,' thus he thinks, and therefore he anoints him (standing) with upstretched arms.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

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