Pramāṇa · Search · About · API

Śatapatha Brāhmaṇa ("of a hundred paths") 5.5.3

Śatapathabrāhmaṇa 5.5.3

Language
Sanskrit

5.5.3.1

abhiṣecanīyeneṣṭvā | keśānna vapate tadyatkeśānna vapate vīryaṃ vā etadapāṃ rasaḥ sambhṛto bhavati yenainametadabhiṣiñcati tasyābhiṣiktasya keśānprathamānprāpnoti sa yatkeśānvapetaitāṃ śriyam jihmāṃ vināśayedvyuduhyāttasmātkeśānna vapate

When he has performed the Consecration-ceremony (Abhishekanîya), he does not shave his hair. The reason why he does not shave his hair (is this):--that collected essence of the waters wherewith he is then sprinkled (anointed) is vigour, and it is the hair (of his head) that it reaches first when he is sprinkled; hence were he to shave his hair, he would cause that glory to fall off from him, and would sweep it away: therefore he does not shave his hair.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.2

saṃvatsaraṃ na vapate | saṃvatsarasammitā vai vratacaryā tasmātsaṃvatsaraṃ na vapate sa eṣa vratavisarjanīyopayogo nāma stomo bhavati keśavapanīyaḥ

He does not shave his hair for a year,--religious observance is of equal measure with the year, hence he does not shave for a year: the Kesavapanîya, namely, is a (day of) praise-singing (stoma) with the view of the termination of the religious performance.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.3

tasyaikaviṃśam prātaḥsavanam | saptadaśam mādhyandinaṃ savanam pañcadaśaṃ tṛtīyasavanaṃ sahokthaiḥ saha ṣoḍaśinā saha rātryā

Twenty-onefold is (each stotra of) its Morning-service, seventeenfold (of) the Midday-service, fifteen-fold (of) the Evening-service, together with the Uktha (stotras), the Shodasin, and (the twelve stotras of) the Night-service.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.4

trivṛdrāthantaraḥ saṃdhirbhavati | eṣa evaikaviṃśo ya eṣa tapati sa etasmādekaviṃśādapayuṅkte sa saptadaśamabhipratyavaiti saptadaśātpañcadaśam pañcadaśādasyāmeva trivṛti pratiṣṭhāyām pratitiṣṭhati

The Twilight (hymn) is (performed in the) Trivrit (stoma), and with the Rathantara (tune). For the twenty-onefold (stoma) is he that burns yonder (the sun); from that twenty-onefold one he (the Sacrificer) parts, and descends again to the seventeenfold one; from the seventeenfold one to the fifteenfold one; and from the fifteenfold one he plants his foot on this firm footing, the Trivrit (stoma).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.5

tasya rathantaram pṛṣṭham bhavati | iyaṃ vai rathantaramasyāmevaitatpratiṣṭhāyām pratitiṣṭhatyatirātro bhavati pratiṣṭhā vā atirātrastasmādatirātro bhavati

The Rathantara is the Prishtha (stotra) of this (sacrifice); for the Rathantara is this (earth): it is on her, as on a firm footing, he thereby plants his feet. It is an Atirâtra (sacrifice),--the Atirâtra is a firm footing: therefore it is an Atirâtra.

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.6

sa vai nyeva vartayate keśānna vapate vīryaṃ vā etadapāṃ rasaḥ sambhṛto bhavati yenainametadabhiṣiñcati tasyābhiṣiktasya keśānprathamānprāpnoti sa yatkeśānvapetaitāṃ śriyaṃ jihmāṃ vināśayedvyuhyādatha yannivartayate tadātmanyevaitāṃ śriyaṃ niyunakti tasmānnyeva vartayate keśānna vapate tasyaiṣaiva vratacaryā bhavati yāvajjīvaṃ nāsyām pratitiṣṭhati

He only cuts down his hair, but does not shave it; for that collected essence of the waters with which he is sprinkled is vigour, and it is the hair that it reaches first when he is sprinkled. Thus were he to shave off his hair he would cause that glory to fall off from him, and would sweep it away. But when he cuts it down, he attaches that glory to his own self: therefore he only cuts down his hair, but does not shave it. This is for him a religious observance: as long as he lives he does not stand on this (earth with bare feet).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

5.5.3.7

āsandyā upānahā upamuñcate | upānaḍbhyāmadhi yadasya yānam bhavati ratho vā kiṃcidvā sarvaṃ vā eṣa idamuparyupari bhavatyarvāgevāsmādidaṃ sarvam bhavati yo rājasūyena yajate tasmādasyaiṣaiva vratacaryā bhavati yāvajjīvaṃ nāsyām pratitiṣṭhati

From the throne-seat he slips into the shoes; and on shoes (he stands), whatever his vehicle may be, whether a chariot or anything else. For verily he who performs the Râgasûya is high above everything here, and everything here is beneath him;--therefore this is for him a religious observance: as long as he lives he does not stand on the earth (with bare feet).

Julius Eggeling 1882, The Satapatha-Brahmana according to the Text of the Mâdhyandina School (SBE 12, 26, 41, 43, 44)

Translations (1)

Commentaries (1)

Linked texts (5)