<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.8 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c10.8

# A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c10.8

A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c10.8

- **Language:** English

### [c10.8](https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.8)

Kallinath explains the "anuranan" referred to here in his commentary on the Ratnakara, at page 251. A 'nada' accompanied by its "anuranan", he calls स्रुणनाद. And says —

- [Previous: c10.7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.7)
- [Next: c10.9](https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.9)
- [Up: c10](https://indike.org/pramana/ins.art.bhatkhande-comparative.c10)

## Linked texts (1)

- [Saṅgītaratnākara](https://indike.org/pramana/in.art.sangita.sangraha.sangitaratnakara) — Śārṅgadeva, Sanskrit

---
Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.8](https://indike.org/pramana/ins.art.bhatkhande-comparative.c10.8) · Pramāṇa
