[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c11.47 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.47 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.47 - **Language:** English ### [c11.47](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.47) I have already suggested that the music system which Kallinath, the commentator on the Sangeeta Ratnakara followed was very nearly the same which Rama Amatya and his successors followed later on. In proof of this statement, I would cite the commentary of Kallinath on the Shri Raga of Sharangdeva. There Kallinath says:— - [Previous: c11.46](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.46) - [Next: c11.48](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.48) - [Up: c11](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11) ## Linked texts (1) - [Saṅgītaratnākara](https://indike.org/pramana/in.art.sangita.sangraha.sangitaratnakara) — Śārṅgadeva, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.47](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.47) · Pramāṇa