[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c11.51 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.51 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.51 - **Language:** English ### [c11.51](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.51) In the second chapter or prakarana, Rama Amatya describes his vina with his shuddha and vikrita swaras The following chart will clearly show how the four wires of the vina were tuned and how the frets were placed under them.— - [Previous: c11.50](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.50) - [Next: c11.52](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.52) - [Up: c11](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.51](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.51) · Pramāṇa