<!-- Pramāṇa, a library of Indian primary sources · https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.58 -->

[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c11.58

# A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.58

A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.58

- **Language:** English

### [c11.58](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.58)

In the mola prakarana, Pandit Rama Amatya lays down altogether twenty thatas for the classification of his janya-ragas. The twenty thatas with their shuddha and vikrita swaras are as follows :—

- [Previous: c11.57](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.57)
- [Next: c11.59](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.59)
- [Up: c11](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11)

---
Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.58](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.58) · Pramāṇa
