[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c11.65 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.65 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c11.65 - **Language:** English ### [c11.65](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.65) Observation — It must in fairness be stated that Sharangadeva pandit though he does give that advice, does not expressly say that च्युत म & च्युत सा should be used as substitutes for the अंतर & काकली notes. In his own Raga definitions he says nothing about the च्युत Swaras but freely uses अंतर & काकली. Rama Amatya says nothing in explanation of that in his Swaramelakalanidhi. - [Previous: c11.64](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.64) - [Next: c12.1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.1) - [Up: c11](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11) ## Linked texts (1) - [Svaramelakalānidhi](https://indike.org/pramana/in.art.sangita.raga.svaramelakalanidhi) — Rāmāmātya 1550, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.65](https://indike.org/pramana/ins.art.bhatkhande-comparative.c11.65) · Pramāṇa