[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c12.22 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c12.22 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c12.22 - **Language:** English ### [c12.22](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.22) Somnath then discusses the twelve vikritas of Sharangdeva and tries to proves that in spite of the use of twelve separate swara names for the vikrita, Sharangdeva really used only seven vikrita swaras, which were the same as those he himself used. There were some more vikrita names in use in his time, and the author referring to them says: - [Previous: c12.21](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.21) - [Next: c12.23](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.23) - [Up: c12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.22](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.22) · Pramāṇa