[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c12.50 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c12.50 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c12.50 - **Language:** English ### [c12.50](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.50) Observation — The commentary on these lines is rather interesting: पर ता यथायोग्यम् । गस्य मस्य च षट्श्रुतिकत्वे तीव्रतम इति एकैव संज्ञा; i e there will be no चतुःश्रुति ग & पञ्चश्रुति ग or म चतुःश्रुति ग is the same as अंतर ग & पञ्चश्रुति ग is मृदु म. - [Previous: c12.49](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.49) - [Next: c12.51](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.51) - [Up: c12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.50](https://indike.org/pramana/ins.art.bhatkhande-comparative.c12.50) · Pramāṇa