[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c13.16 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c13.16 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c13.16 - **Language:** English ### [c13.16](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.16) The same reasoning applies to the shuddha nishada, when it remains shuddha nishada, it is of two srutis, and when it becomes a dhaivata, it is पंचश्रुति धैवत as in the Shankarabharana raga. - [Previous: c13.15](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.15) - [Next: c13.17](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.17) - [Up: c13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.16](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.16) · Pramāṇa