[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c13.9 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c13.9 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c13.9 - **Language:** English ### [c13.9](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.9) This shows that the वराळी म of Vyankata Makhi was the मृदु प of Somnatha. It stood on the third sruti of the panchama The tivratama 'ma' of the Raga Vibodha was one sruti lower There were some other swara names in general use at Vyankat Makhi's time, and these may also be noted. - [Previous: c13.8](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.8) - [Next: c13.10](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.10) - [Up: c13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13) ## Linked texts (1) - [Rāgavibodha](https://indike.org/pramana/in.art.sangita.raga.ragavibodha) — Somanātha 1584, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.9](https://indike.org/pramana/ins.art.bhatkhande-comparative.c13.9) · Pramāṇa