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# A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c14.25

A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c14.25

- **Language:** English

### [c14.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.25)

| ६ सुदरामक्री | १ सुदरामक्री ( a क्रियाराम ), २ दीपक |  
| ७ संकराभरण | १ संकराभरण, २ आरभी, ३ शुद्धवसंत, ४ सरस्वतीमनोहरी, ५ पूर्वगौळ, ६ नारायणी, ७ नारायणदेशाक्षी, ८ सामंत, ९ कुर्जी, १० पूर्णचंद्रिका, ११ सुमुखि, १२ हुलाहु (?), १३ गौतमहार, १४ केदार, १५ विलहरी |  
| ८ कांबोदी | १ कांबोजी, २ नारायणगौड, ३ केदारगौड, ४ वडहंस, ५ नागध्वनि, ६ छायातरंगिणी, ७ ईशमनोहरी, ८ यदुकुलकांबोजी, ९ नाटकुर्जी, १० कन्नड, ११ नटनारायण, १२ आंधाली, १३ साम, १४ मोहन, १५ देवक्री, १६ मोहनकल्याण |  
| ९ भैरवी | १ भैरवी, २ अहीरी, ३ घंटारव, ४ इंदुघंटारव, ५ रीतिगौड, ६ आनंदभैरवी, ७ हिंदोलवसंत, ८ आमेरी, ९ धन्यासी, १० नागंधारी, ११ हिंदोल |  
| १० मुसारी | १ मुसारी (This is the same as the Raga शुद्धसाधारित of sharangdeva, says Tulajirao. He does not give reasons though) |

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Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.25) · Pramāṇa
