[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c14.28 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c14.28 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c14.28 - **Language:** English ### [c14.28](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.28) This is certainly no sufficient reason for the same. What were the seven shuddha ragas of Tulajirao? An important question Tulajirao pays no heed to. He takes it for granted that his own Shuddha Ragas are the same as Sharangdeva, also. - [Previous: c14.27](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.27) - [Next: c14.29](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.29) - [Up: c14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.28](https://indike.org/pramana/ins.art.bhatkhande-comparative.c14.28) · Pramāṇa