[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c2.74 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c2.74 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c2.74 - **Language:** English ### [c2.74](https://indike.org/pramana/ins.art.bhatkhande-comparative.c2.74) Translation.—"The next step is to make this Madhyama-grama-vina a Shadja-grama-vina, not by restoring the lowered 'panchama' to its original pitch, but by taking it as a real Shadja-grama 'panchama' of four srutis." (In other words the author wishes the reader to lower all the other swaras of the scale, namely सा, रे, ग, म, ध, नि, - [Previous: c2.73](https://indike.org/pramana/ins.art.bhatkhande-comparative.c2.73) - [Next: c2.75](https://indike.org/pramana/ins.art.bhatkhande-comparative.c2.75) - [Up: c2](https://indike.org/pramana/ins.art.bhatkhande-comparative.c2) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c2.74](https://indike.org/pramana/ins.art.bhatkhande-comparative.c2.74) · Pramāṇa