[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c3.s2.14 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c3.s2.14 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c3.s2.14 - **Language:** English ### [c3.s2.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s2.14) Observation.—This is exactly our modern Yaman Thata of the Hindusthani system. The only difference is that the modern Hindusthani musician uses the swara names tivra 'ga' tivra 'ni' and tivra 'ma' in place of Lochana's Tivratara 'ga' tivratara 'ni' and tivratara 'ma'. - [Previous: c3.s2.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s2.13) - [Next: c3.s3.1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s3.1) - [Up: c3.s2](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s2) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s2.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s2.14) · Pramāṇa