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# A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c3.s6.14

A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c3.s6.14

- **Language:** English

### [c3.s6.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s6.14)

(१) भैरवी—सा, री शुद्ध, ग कोमल, म शुद्ध, प शुद्ध, ध शुद्ध, नि कोमल । (२) तोडी—सा, री कोमल, ग कोमल, म शुद्ध, प शुद्ध, ध कोमल, नि कोमल । (३) गौरी—सा, री कोमल, ग शुद्ध, म शुद्ध, प शुद्ध, ध कोमल, नि शुद्ध । (४) कर्णाट—सा, री शुद्ध, ग शुद्ध, म शुद्ध, प शुद्ध, ध शुद्ध, नि कोमल । (५) केदार—सा, री शुद्ध, ग शुद्ध, म शुद्ध, प शुद्ध, ध शुद्ध, नि शुद्ध । (६) ইমন—सा, री शुद्ध, ग शुद्ध, म तीव्र, प शुद्ध, ध शुद्ध, नि शुद्ध । (७) सारंग—सा, री शुद्ध, म शुद्ध, & तीव्र, प शुद्ध, X, नि कोमल & शुद्ध । (८) मेघ—सा, री शुद्ध, ग शुद्ध, म शुद्ध, प शुद्ध, X, नि कोमल & शुद्ध । (९) पूर्वी—सा, री शुद्ध, ग शुद्ध, म तीव्र, प शुद्ध, X, नि कोमल & शुद्ध । (१०) धनाश्री—सा, री कोमल, ग शुद्ध, म तीव्र, प शुद्ध, ध कोमल, नि शुद्ध । (११) मुखारी—सा, री शुद्ध, ग कोमल, म शुद्ध, प शुद्ध, ध कोमल, नि कोमल । (१२) दीपक—Nil.

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Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s6.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c3.s6.14) · Pramāṇa
