[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.13 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.13 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.13 - **Language:** English ### [c4.s1.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.13) The स्वर संज्ञा प्रकरण practically ends here. The author next explains the terms vadi, samvadi, anuvadi, and vivadi. - [Previous: c4.s1.12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.12) - [Next: c4.s1.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.14) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.13) · Pramāṇa