[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.22 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.22 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.22 - **Language:** English ### [c4.s1.22](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.22) Translation — Exactly in the centre of the wire (that portion of the wire which is capable of producing sound) will stand the tara shadja. If the whole wire is divided into three equal parts, the pan-chama of the middle octave will stand at the end of the first part. - [Previous: c4.s1.21](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.21) - [Next: c4.s1.23](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.23) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.22](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.22) · Pramāṇa