[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.25 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.25 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.25 - **Language:** English ### [c4.s1.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.25) Translation — The maddhyama of the middle octave will be exactly between the two shadjas. The shuddha gandhara will stand exactly between 'sa' and 'pa'. If the distance between 'sa' and 'pa' be divided into three equal parts, then the shuddha rishabah, will stand at the end of the first part. - [Previous: c4.s1.24](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.24) - [Next: c4.s1.26](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.26) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.25) · Pramāṇa