[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.32 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.32 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.32 - **Language:** English ### [c4.s1.32](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.32) The स्वर संज्ञा प्रकरण practically ends here. The author next explains the terms vadī, samvadī, anuvadi, and vivadi. - [Previous: c4.s1.31](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.31) - [Next: c4.s1.33](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.33) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.32](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.32) · Pramāṇa