[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.58 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.58 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.58 - **Language:** English ### [c4.s1.58](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.58) Hrdaya accepts the twelve Thatas of the Raga Tarangini and adds his own Hrdayarama to them But he arranges the Thatas in different groups according to the vikrta swaras they contain His classification is as follows — - [Previous: c4.s1.57](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.57) - [Next: c4.s1.59](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.59) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) ## Linked texts (1) - [Rāgataraṅgiṇī](https://indike.org/pramana/in.art.sangita.raga.ragatarangini) — Locana Paṇḍita 1706, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.58](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.58) · Pramāṇa