[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c4.s1.59 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.59 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c4.s1.59 - **Language:** English ### [c4.s1.59](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.59) Group No | मेल नाम --- | --- (1) | शुद्धमेल . . . . . (1) भैरवी (2) | एक विकृतौ द्वौ मेलौ । | (a) | गांधारस्वरिततर. | (2) कर्णाट (b) | धैवतस्वरकोमलः । | (3) मुगारी (3) | द्विविकृतौ द्वौ मेलौ । | (a) | कोमलंमंधर्वती | (4) तोडी, (b) | तीव्रगाधारनिषादौ | (5) केदार (4) | त्रिविकृतयो मेला } | (a) गांधारमध्यमनिपादानां तीव्रतरत्वे । (6) इमन्: (b) गांधार धैवतनिपादानां तीव्रतरत्वे । (7) मेघ (c) गांधारमध्यमनिपादानां तीव्रतरत्वे । (8) हृदयर्मा (5) चतुर्विकृतसयो मेला: । (a) तत्र ऋषभधैवतयो: कोमलत्वे गांधारनिपादयो स्तीव्रतरत्वे । (9) गौरी (b) गांधारस्यातितीव्रतमत्वे, मध्य- मध्यवतयोस्तीव्रतरत्वे, निपाद- स्यकाकलीत्वे । (10) सारंग (c) गांधार धैवतमध्यमानां तीव्र- तरत्वे, निपादस्यकाकलीत्वे । (11) पूर्वा (6) पंचविकृत एक मेल: । गमौ तीव्रतरौ यत्र रिवौ कोमलसंज्ञकौ । निपाद: काकली: पूर्णा धनाश्रीस्तत्र कीर्तिता ॥ (12) धनाश्री । . . . . . Omitted दीपक . . . . . - [Previous: c4.s1.58](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.58) - [Next: c4.s1.60](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.60) - [Up: c4.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.59](https://indike.org/pramana/ins.art.bhatkhande-comparative.c4.s1.59) · Pramāṇa