[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c5.12 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.12 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.12 - **Language:** English ### [c5.12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.12) Observation. He means to say that the swaras of one raga will again become srutis only when the Raga is changed, and a different set of Srutis is selected as Swaras for the new raga. The selection is always to be made from the twenty-two srutis into which the scale is divided. The following chart will show the places and the names of the different Shuddha and Vikrita swaras of the Sangita Parijata. - [Previous: c5.11](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.11) - [Next: c5.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.13) - [Up: c5](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5) ## Linked texts (1) - [Saṅgītapārijāta](https://indike.org/pramana/in.art.sangita.sangraha.sangitaparijata) — Ahobilasūri 1600, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.12) · Pramāṇa