[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c5.29 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.29 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.29 - **Language:** English ### [c5.29](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.29) The following Shlokas will give the reader a clear idea as to how Ahobala defines his Ragas in the Sangit Parijata, - [Previous: c5.28](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.28) - [Next: c5.30](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.30) - [Up: c5](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5) ## Linked texts (1) - [Saṅgītapārijāta](https://indike.org/pramana/in.art.sangita.sangraha.sangitaparijata) — Ahobilasūri 1600, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.29](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.29) · Pramāṇa