[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c5.30 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.30 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.30 - **Language:** English ### [c5.30](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.30) शुद्धमेतद्भवः पूर्णो धैवादादिवमुर्द्धनः । आगेहे गनिवर्ज्यः स्याद्रागः.मैधयनामकः ॥ आगेडितस्वरर्युक्तः स्फुरितन च शोभितः ॥ इति मैधवः घमारिमपपपध । गनिधघपमपमाग रिमा । घमारिमगरिघमगौर । निनिध मपमगरि । पपमगागगगरिस ॥ इति स्वरकरणम् ॥ आगेहे रिहीनास्यात्पूर्णाशुद्धरर्युता । गाधारस्वरपूर्वा स्यादनाधर्म्ममन्तिका ॥ इति धनार्थीः गमपनिध । रिमनिधपम । गमपमगरिस । - [Previous: c5.29](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.29) - [Next: c5.31](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.31) - [Up: c5](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.30](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.30) · Pramāṇa