[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c5.77 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.77 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c5.77 - **Language:** English ### [c5.77](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.77) Every Raga had four parts, namely 'udgraha' 'sthayi' 'sanchari', and 'muktayi'. 'Udgraha' was the first part with which the raga 'alapa' was commenced. We shall now examine one or two raga definitions :- - [Previous: c5.76](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.76) - [Next: c5.78](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.78) - [Up: c5](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.77](https://indike.org/pramana/ins.art.bhatkhande-comparative.c5.77) · Pramāṇa