[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c6.s4.13 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.13 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.13 - **Language:** English ### [c6.s4.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.13) Observation.—This also shows that Pundarika was aware of the northern practice of expressing ragas in terms only of twelve notes. - [Previous: c6.s4.12](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.12) - [Next: c6.s4.14](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.14) - [Up: c6.s4](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.13](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.13) · Pramāṇa