[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c6.s4.7 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.7 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c6.s4.7 - **Language:** English ### [c6.s4.7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.7) सारीनिवेशनाम् । (The placing the frets) आघातुमद्राव्हयपञ्चतन्त्रा । शुद्धो यथा स्यादुपमस्तथाया ॥ सारी निवेशयेत तथा द्वितीया । तथ्या तया शुद्धगनिद्हेतोः ॥ सारी तृतीयापि तथैव तथ्या । धीयेत साधारणगस्य सिध्ये ॥ सारी चतुर्थी लघुमध्यमस्य । सिध्ये तया तंत्रिकया तथैव ॥ तथ्या तयी पचमसारिया च । निधीयते शुद्धमधानाथ ॥ सारी निवेश्या च तथैव षष्ठा । तथ्या तथैव लघुपाव्हयाय ॥ - [Previous: c6.s4.6](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.6) - [Next: c6.s4.8](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.8) - [Up: c6.s4](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c6.s4.7) · Pramāṇa