[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c7.7 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c7.7 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c7.7 - **Language:** English ### [c7.7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c7.7) Translation.—When the note gandhar rises to its last gati it coincides with the shuddha maddyama. The shuddha maddyama rises through three gatis or shrutis and bears the three names मनु मध्यम, पक्षांतिक मध्यम, and नृप मध्यम, respectively. - [Previous: c7.6](https://indike.org/pramana/ins.art.bhatkhande-comparative.c7.6) - [Next: c7.8](https://indike.org/pramana/ins.art.bhatkhande-comparative.c7.8) - [Up: c7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c7) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c7.7](https://indike.org/pramana/ins.art.bhatkhande-comparative.c7.7) · Pramāṇa