[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c8.s1.16 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.16 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.16 - **Language:** English ### [c8.s1.16](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.16) This arrangement exactly tallies with that of Rama-Amatya and Somnath as will be seen later on But Pundarika, tuned his wires in the same way The placing of the frets is described in the following verses (Vide Pundarika's Vina Chart). - [Previous: c8.s1.15](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.15) - [Next: c8.s1.17](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.17) - [Up: c8.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.16](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.16) · Pramāṇa