[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c8.s1.20 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.20 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.20 - **Language:** English ### [c8.s1.20](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.20) The प्रतिनिधि theory by which "antar" and "kakali" notes were represented by च्युत or पत ma and च्युत or पत sa, was known to Sri Kantha, and he mentions it in his work. In the southern music system of the present day, the notes antar and kakali represent च्युत ma and च्युत sa. - [Previous: c8.s1.19](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.19) - [Next: c8.s1.21](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.21) - [Up: c8.s1](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.20](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.20) · Pramāṇa