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# A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.28

A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s1.28

- **Language:** English

### [c8.s1.28](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.28)

| थाट नाम | स्वरा: | हिन्दुस्थानि स्वरा: |  
| १ मालव गौड | सा री ग म प ध नी   सा, रीशुद्ध, पतम, शुद्धम, शुद्धप, शुद्धध, पतसा | सारीगमपधनिसां |  
| २ श्री | सा, चतुश्रुतिरी, साधारणग, शुद्धम, शुद्धप, चतुःश्रुतिध, कैशिकनि | सारीगमपधनिसां |  
| ३ शुद्ध नाट | सा, त्रिश्रुतिरी, पतम, शुद्धम, शुद्धप, त्रिश्रुतिनि, पतसा | सागमपनिसां |  
| ४ कर्णाट गौड | सा, शुद्धग, पतम, शुद्धम, शुद्धप, शुद्धनि, कैशिकनि | सारीगमपधनिसां |  
| ५ केदार | सा, शुद्धग, पतम, शुद्धम, शुद्धप, शुद्धनि, पतसा | सारीगमपधनिसां |  
| ६ मल्हार | सा, शुद्धग, पतम, शुद्धम, शुद्धप, त्रिश्रुतिनि पतसा | सारीगमपनिसां |  
| ७ देशाक्षी | सा, त्रिश्रुतिरी, पतम, शुद्धम, शुद्धप, शुद्धनि, पतसा | सागमपधनिसां |  
| ८ कल्याण | सा, शुद्धग, साधारणग, पतम, शुद्धप, शुद्धनि, पतसा | सारीगमपधनिसां |  
| ९ सारंग | सा, शुद्धग, { शुद्धम, शुद्धप, कैशिकनि, पतसा   पतम. | सारीममपनिसां   विशुद्धषड्जगंधारौ   तथा मध्यमपंचमौ   पताधौच समौ (समौ ?)   यत्र   निपादः कैशिकी पुनः |

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Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.28](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s1.28) · Pramāṇa
