[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c8.s2.25 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s2.25 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s2.25 - **Language:** English ### [c8.s2.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.25) All these forty-two vikritas, are based on the twenty-two srutis which form the basis of the system We have already seen that Ahobala had twenty-nine swara names Bhava Bhatta goes a step further, and adopts forty-two swara names Strangely enough, he omits to say anything about these vikritas in his raga descriptions - [Previous: c8.s2.24](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.24) - [Next: c8.s2.26](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.26) - [Up: c8.s2](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2) --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.25) · Pramāṇa