[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries](https://indike.org/pramana/ins.art.bhatkhande-comparative) › c8.s2.26 # A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s2.26 A Comparative Study of Some of the Leading Music Systems of the 15th, 16th, 17th & 18th Centuries c8.s2.26 - **Language:** English ### [c8.s2.26](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.26) In the Raga Adhyaya, the Pandit begins by mentioning the 234 ragas of the Sangeeta Ratnakara by name and then turns to those of the Sangeeta Parijata. The "upanga ragas" of Bilawal, Kedar, Gouri, Puniya, and so forth deserve notice On the different varieties of Kanada, he gives us two excellent Hindi, "sawais", which are — - [Previous: c8.s2.25](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.25) - [Next: c8.s2.27](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.27) - [Up: c8.s2](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2) ## Linked texts (2) - [Saṅgītaratnākara](https://indike.org/pramana/in.art.sangita.sangraha.sangitaratnakara) — Śārṅgadeva, Sanskrit - [Saṅgītapārijāta](https://indike.org/pramana/in.art.sangita.sangraha.sangitaparijata) — Ahobilasūri 1600, Sanskrit --- Source: [https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.26](https://indike.org/pramana/ins.art.bhatkhande-comparative.c8.s2.26) · Pramāṇa