[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [The Indian Buddhist Iconography, Mainly Based on the Sadhanamala and Other Cognate Tantric Texts of Rituals](https://indike.org/pramana/ins.art.bhattacharyya-1924) › c19.2 # The Indian Buddhist Iconography, Mainly Based on the Sadhanamala and Other Cognate Tantric Texts of Rituals c19.2 The Indian Buddhist Iconography, Mainly Based on the Sādhanamālā and Other Cognate Tāntric Texts of Rituals c19.2 - **Language:** English ### [c19.2](https://indike.org/pramana/ins.art.bhattacharyya-1924.c19.2) Mahāpratisarā, another of his emanations, belongs to the Pañcarakṣā group, and affiliates herself to Ratnasambhava in the same way as the other members of the group affiliate themselves to one or another of the five Dhyāni Buddhas. Ratnasambhava is distinguished from the other Dhyāni Buddhas by his yellow colour and the Varada mudrā he displays with his right hand. The male deities that emanate from Ratnasambhava are Jambhala and Ucchuṣma-Jambhala, the latter being regarded as a terrible form of Jambhala. - [Previous: c19.1](https://indike.org/pramana/ins.art.bhattacharyya-1924.c19.1) - [Next: c19.t1.1](https://indike.org/pramana/ins.art.bhattacharyya-1924.c19.t1.1) - [Up: c19](https://indike.org/pramana/ins.art.bhattacharyya-1924.c19) --- Source: [https://indike.org/pramana/ins.art.bhattacharyya-1924.c19.2](https://indike.org/pramana/ins.art.bhattacharyya-1924.c19.2) · Pramāṇa