The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c4: Illustrations

The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c4

Language: English

Illustrations

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Hâritî, the Buddhist Madonna : painting from Turfan... *frontispiece*

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PLATES I-IV. — BEGINNINGS OF BUDDHIST ART. . . . . . 28

I. Buddhist symbols on ancient Indian coins. II. The three last Great Miracles : 1° at Sânchi; 2° at Amarâvatî. III. The first Great Miracle : 1° in Gandhâra; 2° at Amarâvatî. IV. The four Great Miracles : 1° in Gandhâra; 2° at Amarâvatî; 3° at Benares.

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PLATES V-VI. — JÂTAKAS AT BARHUT . . . . . . 60

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V. In medallions. VI. On the rail-coping.

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PLATES VII-X. — THE EASTERN GATE OF THE SÂNCHÎ STÛPA. . 110

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VII, 1. General view taken from the East.
2. Back-view of Lintels of Eastern Gate. VIII, 1. Eastern Gate (*front view*).
2. Divine guardian at entrance. *Interior face of left jamb.* IX, 1. The Conversion of the Kâçyapas. *Interior face of left jamb.*
2. The Return to Kapilavastu. *Interior face of right jamb.* X, 1. The Vocation, or Great Departure. *Front view of middle lintel.*
2. A Procession to the Bodhi-Tree. *Front view of lower lintel.*

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PLATES XI-XVI. — GREEK ORIGIN OF THE BUDDHA TYPE . . 138 XI, 1. Buddhas in the Lahore Museum.
2. Buddha in the Guides' Mess, Mardân. XII, 1. The Village of Shâhbâz-Garhî.
2. The Ruins of Takht-i-Bahai. XIII, 1. The Village of Sahri-Bahlol. 2 Excavations near Sahri-Bahlol. XIV, 1. Shâh-jî-kî-Dherî (Kanishka Stûpa).
2. Indo Greek and Indo-Scythic Coins. XV, 1. The Relic-casket of Kanishka.
2. The Bodhisattva Type. XVI, 1. Types of Bodhisattva, Buddha and monk.
2. Græco-Christian Christ and Græco-Buddhist Buddha.

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PLATES XVII-XVIII. — THE TUTELARY PAIR. . . . . 146 XVII. In Gaul. XVIII. In Gandhâra.

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PLATES XIX-XXVIII. — THE GREAT MIRACLE OF ÇRÂVASTÎ . 184 XIX. At Benares. XX. At Ajanṭâ. XXI, 1. At Ajanṭâ : after a wall-painting.
2. In China : in the Ta-t'ong-fu Caves. XXII. On the Boro-Budur, Java. XXIII, 1. In Magadha.
2. In the Konkan. XXIV. In Gandhâra. XXV. In Gandhâra. XXVI. In Gandhâra. XXVII. In Gandhâra. XXVIII, 1. In Gandhâra.
2. At Barhut.

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PLATES XXIX-XXX. — THE SIX-TUSKED ELEPHANT . . . 204 XXIX, 1. At Barhut.
2. At Amarâvatî. XXX, 1. In Gandhâra.
2. At Ajanṭâ.

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PLATES XXXI-XLIV. — BUDDHIST ARCHÆOLOGY IN JAVA . . 270

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XXXI, 1. Boro-Budur : General view (*from the north-west*).
2. — First Gallery (*part of west façade*).

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XXXII. — Section and plan.

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XXXIII, 1. — Silhouette.
2. — Staircase (*north side*).

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XXXIV, 1. — Story of Sudhana, no. 3 : Incantation against the Nâga (*central portion*). 2 — Story of Sudhana, no. 11 : Manoharâ's flight. *Above* : The Bodhisattva's farewell to the gods.

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XXXV, 1. — Story of Sudhana, no 12: The Prince's return. *Above* : The Bodhisattva's descent upon earth.
2. — Story of Sudhana, no. 16 : At the fountain (*right-hand portion*).

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XXXVI, 1 — Story of Mândhâtar, no. 12 : The rain of garments. *Above* : The Bodhisattva chooses his bride. 2 — Story of king Çibi, the Dove and the Hawk. *Above* : The first of the Bodhisattva's four promenades.

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XXXVII, 1 — Story of Rudrâyaṇa, no. 6 : Presentation of the cuirass (*left-hand portion*).
2. — Story of Rudrâyaṇa, no. 9 : Mahâkâtyâ-yana's visit. *Above* : The Bodhisattva with his first Brahman teacher.

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XXXVIII, 1. — Story of Rudrâyaṇa, no. 10 : The nun Çailâ's sermon (*left-hand portion*).
2. — Story of Rudrâyaṇa, no. 11 : Queen Candra-prabhâ's ordination (*central portion*).

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XXXIX. — Story of Rudrâyaṇa, fragments of nos. 12, 13 and 14.

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XL, 1. — Story of Rudrâyaṇa, no. 16 : After the parricide. *Above* : The ascetic Bodhisattva declines the aid of the gods.
2. — Story of Rudrâyaṇa, no. 19 : The rain of jewels (*left-hand portion*).

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XLI, 1. Boro-Budur : Story of the pair of Kinnaras (*central portion of the second scene*).
2. — — Story of Maitrakanyaka, no. 1 : The purse-offering (*central portion*). XLII, 1. — — Story of Maitrakanyaka, no. 2 : The mother's supplication (*left-hand portion*).
2. — — Story of Maitrakanyaka, no. 7 : In the Inferno city (*right-hand portion*). XLIII, 1. The unfinished statue of Buddha. *Under the central cupola, Boro-Budur.*
2. Trailokya-vijaya. *Bronze in the Batavia Museum.* XLIV. The Goddess Cundâ between two Bodhisattvas. *On the south-western wall of the Chandi Mendut.*

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PLATES XLV-L. — THE BUDDHIST MADONNA . . . . . . 292 1-12

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XLV. After a wall-painting from Domoko (Chinese Turkestan).
1. *Side view before removal*; 2. *As set up in British Museum.* XLVI. Suckling Madonna : 1. Romanesque; 2. Coptic. XLVII. Indo-Greek images of Hâritî. XLVIII, 1. Hâritî and her partner in Gandhâra. 2 Hâritî in Java. XLIX. Japanese images of Ki-si-mo-jin. L. Chinese images of Kuan-Yin.

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N. B. — *A detailed description of each plate will be found either in the body of the work or on the page de garde opposite the plate.*