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# The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c5.s2.2

The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology c5.s2.2

- **Language:** English

### [c5.s2.2](https://indike.org/pramana/ins.art.foucher-1917.c5.s2.2)

¹ We allude to the golden \*purusha\* which formed a part of the altar of sacrifice (\*Çat.-Brahm.\*, 7, 4, I., 15) and to the effigy \*kṛitya\* of the magic rites (\*Ath. Veda\*, X, 1), etc. — For what is to be understood by the Gallic \*simulacra\* of Cæsar (\*Bell. Gall.\*, VI, 4), see the article of M. S. REINACH on \*L'art plastique en Gaule et le druidisme\* (\*Revue Celtique\*, t. XIII, 1892, pp. 190 sqq..), where are cited also corresponding testimonies of Herodotus (I, 131) and Tacitus (\*Germ.\*, IX) as to the non-existence of idolatry among the Persians and the Germans.

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## Cites (2)

- [Atharvavedasaṃhitā](https://indike.org/pramana/in.veda.samhita.atharva.10.1) — Atharvan & Aṅgiras, Sanskrit
- [Śatapathabrāhmaṇa](https://indike.org/pramana/in.veda.brahmana.satapatha.7.4.1.15) — Yājñavalkya & Śāṇḍilya (Vedic teacher), Sanskrit

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Source: [https://indike.org/pramana/ins.art.foucher-1917.c5.s2.2](https://indike.org/pramana/ins.art.foucher-1917.c5.s2.2) · Pramāṇa
