[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [South Indian Bronzes: A Historical Survey of South Indian Sculpture with Iconographical Notes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1915) › c8.109 # South Indian Bronzes: A Historical Survey of South Indian Sculpture with Iconographical Notes Based on Original Sources c8.109 South Indian Bronzes: A Historical Survey of South Indian Sculpture with Iconographical Notes Based on Original Sources c8.109 - **Language:** English ### [c8.109](https://indike.org/pramana/ins.art.gangoly-1915.c8.109) In the \*lakhana\* or precipé given for some of the images one or other of these poses are recommended and the variations of the plumb-lines are given in respect of each pose. Thus one text says that in case of images of Tripurāntaka (a form of Siva) the \*ativanga\* pose is the best. - [Previous: c8.108](https://indike.org/pramana/ins.art.gangoly-1915.c8.108) - [Next: c8.110](https://indike.org/pramana/ins.art.gangoly-1915.c8.110) - [Up: c8](https://indike.org/pramana/ins.art.gangoly-1915.c8) --- Source: [https://indike.org/pramana/ins.art.gangoly-1915.c8.109](https://indike.org/pramana/ins.art.gangoly-1915.c8.109) · Pramāṇa