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# South Indian Bronzes: A Historical Survey of South Indian Sculpture with Iconographical Notes Based on Original Sources c8.24

South Indian Bronzes: A Historical Survey of South Indian Sculpture with Iconographical Notes Based on Original Sources c8.24

- **Language:** English

### [c8.24](https://indike.org/pramana/ins.art.gangoly-1915.c8.24)

Angulas are sometimes classified into (1) \*Mānāgulas\* according to the above measure; (2) \*Mātrangula\* represented by the second digit of middle finger of the right hand of man; (3) \*Deha labdhāngula\* (Lit-‘angula as found in the body’) the measure as found in the \*angula\* or finger of the image-maker himself. The \*mān-angula\* is the absolute measure which is the ‘foot rule’ of the craftsman. The distinction of the three classes is however not quite clear. The \*Mātrangula\* evidently is not a fixed measure like inches but are only units for measurements of a particular figure and must be proportionate to the total height prescribed for a given figure. The \*tāla\* is deduced from the length of the face which is sub-divided into 12 \*angulas\* as will appear from the drawing made by a South Indian artist. (Figure 2.) The cranium is not included within the \*tālam\* which is taken from the top of the forehead to the bottom of the chin. The length of the face differs according to the various \*tāla\* or measures prescribed for particular deities generally constructed in the \*nava tāla\* or the \*dasa tāla\* measure. The \*nava tāla\* (ninth measure) is again classified into three groups—\*Uttama-nava-tāla\* (the best ninth measure), the \*Madhyama-nava-tāla\* (the medium); and the \*Adhama-nava-tāla\* (the lowest). Similarly the \*dasa-tāla\* is also divided into ‘Uttam,’ ‘Madhyam’ and ‘Adhama’ or as sometimes called ‘Kaniyasa’ (lowest).

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Source: [https://indike.org/pramana/ins.art.gangoly-1915.c8.24](https://indike.org/pramana/ins.art.gangoly-1915.c8.24) · Pramāṇa
