[Pramāṇa](https://indike.org/pramana/) › [Studies](https://indike.org/pramana/ins) › [Architecture and art](https://indike.org/pramana/ins.art) › [Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources](https://indike.org/pramana/ins.art.gangoly-1935) › c10.244 # Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.244 Rāgas and Rāginīs: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources c10.244 - **Language:** English ### [c10.244](https://indike.org/pramana/ins.art.gangoly-1935.c10.244) (1) “Toḍī Mālkausa-priyā Toḍī vālā pīta varaṇā| Keśara karpūra ange sveta-vastra paraṇā|| Kuca pīn su-kathin, madhya ksin valanā| nābhi-kūp sarovar, svarna-kānti lalanā||” Kādamvinī keśa-pāś, pūrna-candra-vadanā| Tāhāte kuraṅga caksu, muktā-pangti-radanā|| Manmaya ābharan nāhi tār tulanā| Rati vale anaṅgere,—dekho yena bhulanā|| Daś dig ālo kare hena rūp sājanā| prāntare vasiyā kare vīnā-yantra vājanā|| Vinār samūha tantra dipti-rūpe mājanā| Madhur pañcama svare rāg bhāg bhāñjanā|| Ālāp-cārir vole rāg-rūp-sādhanā| note ‘Sa’(c) is the starting and prevailing note, the rule is to sing it at noon.”¹ - [Previous: c10.243](https://indike.org/pramana/ins.art.gangoly-1935.c10.243) - [Next: c10.245](https://indike.org/pramana/ins.art.gangoly-1935.c10.245) - [Up: c10](https://indike.org/pramana/ins.art.gangoly-1935.c10) --- Source: [https://indike.org/pramana/ins.art.gangoly-1935.c10.244](https://indike.org/pramana/ins.art.gangoly-1935.c10.244) · Pramāṇa